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A few weeks ago, we talked about why you might want to get a split E mechanism on your Böhm system flute. I don't want to leave you with the impression that Böhm sloppily created a need for the split E key - which he then did not provide! It all has to do with the fascinating history behind your extra-complicated, closed G-sharp key. Unless you happen to play a flute with an open G-sharp key. Does anyone out there? I know my friend Ilze in the Latvian Symphony Orchestra still does, as do some of her Latvian colleagues. Who else? Here are some helpful websites with information on this topic. A quick text summary: https://www.flutes.com/open-g-sharp/ A website with great photos, including the ones I used in my video (with permission) by Richard M. Wilson: http://www.oldflutes.com/articles/dor... Lots more information and photos relating to Böhm system flutes: https://theobald-boehm-archiv-und-wet... Now, who wants to switch to an open G-sharp key flute? 😀 Join our "Flute Tube In Practice" Facebook group here! / 705758100402714 For more information about me, in case you want to know, here's my website: https://www.aprilclayton.com/