Antipov Symphony No. 1 / II mvt скачать в хорошем качестве

Antipov Symphony No. 1 / II mvt

I have finally completed another part of my symphony — the Adagio in 5/4. This time signature, as I’ve approached it, turned out to be quite unusual: in many measures, the material in the final quarter serves as the conclusion of the previous phrase. However, with a slight addition, this same conclusion then begins the next measure, ultimately creating a form resembling a "sonnet wreath." I discovered this technique by accident and could only define it when I began exploring intersections between linguistics and musical forms — my article on this topic will be published soon. This technique influences harmonic development, making it somewhat inert, though not to the extent of what is commonly referred to today as "minimalism." This part, like the two previously published ones, also incorporates integrated forms — I wrote about them in more detail in the preface to the first two parts. If you read the description of the first part of my symphony and then listen to it while following along with the score (all of these materials are available on my YouTube channel), you can prepare yourself for perceiving the entire cycle. In the Adagio, I use integrated forms more subtly, more organically, and less overtly, making this technique more difficult to detect. This section is addressed to those listeners who are seeking something truly new in the realm of music — there is plenty of novelty here. For those who are simply interested in music for its own sake, regardless of whether it aligns with contemporary trends or tendencies, I suggest simply relaxing, attuning yourself to the slow 5/4 pulse, and immersing yourself in a world of intricate polyphonic interweaving. When composing this part, I imagined a creator who had spent hundreds of millions of years watching starfish at the bottom of the ocean before, in the final instant by historical standards, deciding to entertain themselves by observing something more intelligent. ******************** Finally, I would like to make a brief appeal to those who might help me bring this symphony to life through performance. So far, I have completed three movements of the symphony, with a total runtime of 35 minutes, including the pauses between movements. All that remains is to compose the radiant and luminous finale — an Allegro in 6/8 in D major. This final task will take me another four months, after which the symphony will be fully complete. However, the parts I’ve already written are ready for performance right now. I am in desperate need of help with promotion, as I simply cannot achieve this on my own: I have no contacts and no skills to build them. Unfortunately, the ability to write music has no bearing on the ability to network or establish the right connections. In recent years, I’ve been living in complete isolation, spending my days driving through the streets of Germany as a delivery driver for Amazon — the only job I could get. A job, frankly, that would take anyone with at least one arm and one leg, capable of pressing the pedals of a van and carrying packages. So, if you, the reader of this post, happen to find an opportunity to share my symphony with someone or tell someone about it, you would be doing a great thing. More people would learn about my music, and perhaps it might eventually reach a conductor who finds it interesting enough to bring to the stage. ********************* If you want to support composer: PayPal hfphfsra@gmail.com