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This film is available to license from our website at Huntley Film Archives, by searching for film 1054938 in our Film # search bar: https://www.huntleyarchives.com/ 1960s. Kedleston Hall, Derby, England. First person view driving through the nearby park, with trees lining the road. View of bare trees in the forest. Exterior of Kedleston Hall, designed by architect James Paine. Tracking shot, moving around the curved stone staircase leading to the front of the house. First person view moving up the staircase of the house. A Piranesi Vase - The Borghese and Medici vase which sits outside the front entrance. First person shot moving through the entrance of the home, into the marble entrance hall designed by architect Robert Adam, a large room surrounded by tall nottingham alabaster pillars with two stone statues and a door at the end. The wall lined with statues in various poses, moving past the tall ribbed columns. Pan along a Greek style statue of a women. the ornate and detailed tops of the columns as they touch the ceiling. Tilt up on the fireplace, lined with statues of women holding up a portrait. A relief of two women next to the Curzon family crest, one with a spear and snake and the other a cornucopia of fruit. Zoom in on a mahogany door, with a small sculpture of a face covering the keyhole to prevent drafts. The estate drawing room, filled with fancy furniture, a chandelier, and the walls covered in framed paintings. Moving along the carved plasterwork ceiling, to the crystal chandelier covered in candles. A long detailed velvet sofa or couch, covered in throw pillows (cushions) with intricate gilded carvings and a cameo at the top, designed by Robert Adam. Close ups on the statue of a long-haired muscular man or god on the arm of the sofa. Huntley Film Archives is a film library holding tens of thousands of films. The large majority of the films are documentaries. Films cover a wide range of subjects and production dates range from the 1890’s to the 2020’s. As with all libraries we make no judgement on the content of our holdings and make them available for educational purposes for all to see. Films may have content or express opinions some may think inappropriate or offensive, but it is not the work of a library to censor educational resources. Films should be viewed with historical objectivity and within a context relevant to the times in which they were produced