Hori Bhajan | Sach Kaho Manmohan | Pandit Jasraj | Live at Saptak Festival скачать в хорошем качестве

Hori Bhajan | Sach Kaho Manmohan | Pandit Jasraj | Live at Saptak Festival

Full Track Available For Download From: http://www.indiabazaar.co.uk/product-... Listen Full length album click on this link:    • Pandit Jasraj : Devatha - Disc 2 (Raag: Sh...   Artist: Pandit Jasraj - Vocal Nandan Mehta - Tabla Hetal Mehta - Tabla Ratan Mohan Sharma - Backing Vocal Krishna Kumar Parikh - Backing Vocal Hemant Bhatt - Pakhawaj Mukund Petkar - Harmonium Recorded Live at Saptak Festival 2008 - Ahmedabad, Gujarat (India) Executive Producer - Alpesh Patel Produced, Mixed and Mastered in the U.K by - Derek Roberts Assistant Engineer - Krishna Shirgaonkar Photography - Deko, Raju Srivastav Visuals - Vijay Dave | Varun Creations Thanks to - The stage crew at Virtual Studios, Nandan Mehta, Prafull Shah, everyone at Saptak, Kanti Dattani, Rushi Shastri and Verity Sharp (BBC Radio 3 / Late Junction) for inspired radio. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Enjoy & stay connected with Sursagar! ►Subscribe to Sursagar:    / senseworldmusic   ► Like us on Facebook:   / sursagarmusic   ► Follow us on Twitter:   / sursagarmusic   ► Follow us on Instagram:   / sursagarmusic   ~~~~~~~~~~ The Performance: Raag Sohini - Sach kaho Manamohan, To kelo tum sangha Hori re Aaj kiran kahan rahe mohan, Kahan kari barjoni re (Speak the truth to me God Krishna, the one resides in my heart, How to join you in this play of life?, Where is the sun today?) Raag Sohini is a lively raag using notes mainly from the upper register. The accompanying rhythm is 16 beat Addha taal. The tabla plays a flourishing improvised sequence towards the end known as Rela. Pandit Jasraj has been at the forefront of North Indian classical vocal music since the 1970's and is regarded as a national treasure by the music lovers of his country. First inspired to sing at the age of just three after hearing female vocalist Begum Akhtar, his early years were spent studiously listening to gramophone records in a small tea shop conveniently placed on the way to school. His family were highly regarded exponents of the Mewati vocal style and everything seemed set up for the young Jasraj to move smoothly into a lifetime of music until fate dealt a cruel blow.Jasraj was just four years old when his father Pandit Motiramji died suddenly, on the day when he was set to be appointed as state musician in the court of the Last Nizam (ruler) of Hyderabad, reputedly the richest man in the world at the time. It was left to Jasraj's grandfather Maniramji to nurture the youngster on modest resources. After the demise of his father the young Jasraj turned his attention to tabla, a decision taken to createadditional means of livelihood in order to lighten the burden of family responsibilities. To supplement family income, his grandfather took Jasraj as his tabla player in concerts. But at the age of fourteen, unhappy with the treatment of accompanying artists, Jasraj left and vowed not to cut his hair until he had learned to sing. His mind was finally made up after a 'meeting' with Lord Krishna in a dream, when he was directed towards a lifetime of devotional singing. Under the tutelage of his older brother Sangeet Mahamahopadhyaya, the support and guidance of Pandit Maniram and with the spiritual influence of Maharaja Jaywant Singhji Waghela of Saanand, Pandit Jasraj began his vocal and spiritual journey. Fortunately, for all of us, he has also made it a priority to pass on his legacy for future generations, having a host of talented disciples, including some of India's finest instrumentalists including Violinist Kala Ramnath and Carnatic Flautist Shashank. This recording features a concert performance on January 3rd2008, given at the annual Saptak Festival in Ahmedabad, India's largest and most prestigious music festival, where Pandit Jasraj has become a firm favourite over the years. He is joined on stage by two of his students Ratan Mohan Sharma and Krishna Kumar Parikh, giving vocal support. Providing expert percussive accompaniment are Nandan Mehta, one of the leading exponents of the Benares style of tabla playing, his daughter Hetal Mehta also on tabla and Hemant Bhatt on the ancient barrel-shaped Pakhawaj. The team is completed with Harmonium player Mukund Petkar who skillfully shadows every vocal nuance.