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Mark Fell. Against Method Music, sound installation and critical thinking Curated by Pedro Rocha Against Method, a project comprising a sound installation, concerts and a talk, is conceived by Mark Fell as a response to Sheela Gowda’s exhibition “Remains”, as part of the Public Program of Pirelli HangarBicocca. A multidisciplinary artist based in Rotherham (UK), Mark Fell’s practice draws upon electronic music subcultures, experimental film, contemporary philosophy and radical politics. Fell’s affinity with Indian classical music is rooted in the awareness that this is not guided by a linear score – its structure instead appearing almost like a process of folding and unfolding of elements. Over recent years, two research trips and several artistic projects in India allowed Fell a deeper understanding not only of the structure of Indian classical music but also about how it functions within a cultural context, namely in terms of issues relating to caste, gender and inclusion/exclusionary practices. Nakul Krishnamurthy Indian composer and artist who is based in Leeds, UK, Nakul Krishnamurthy’s work explore the structural foundations of Carnatic music and reconfigures them, thereby examining its boundaries and generating new interpretations of the art form. With over 12 years of intensive training in Carnatic music, coupled with in-depth knowledge of Hindustani and contemporary Western Classical music, his work is an intersection of Indian classical music and procedural composition and experimentation derived from contemporary Western art music sensibilities. In the past 3 years, his work has been presented in various venues across Europe and India. Nandini Muthuswamy Exceptional violinist Nandini Muthuswamy grew up in an illustrious family of Indian musicians. After an initial training in Classical Music of South India, she was soon acclaimed as a prodigy. Together with her sister Dr. M. Lalitha, she is part of the duo ‘The Violin Sisters’, known for entrancing audiences around the world. With a career spanning more than two decades, Muthuswamy is applauded both for her virtuosity as for her original and imaginative style of playing the violin. Video: Francesco Margaroli