Beethoven - Sonata for Violin and Piano, No 9 in A major, Kreutzer Sonata, Op 47 скачать в хорошем качестве

Beethoven - Sonata for Violin and Piano, No 9 in A major, Kreutzer Sonata, Op 47

Beethoven - Sonata for Violin and Piano, No 9 in A major, Kreutzer Sonata, Op 47 I Adagio sostenuto – Presto II Andante con variazioni III Presto Mr Leung Kin-fung, Violin Dr Cheng Wai, Piano Beethoven wrote his most famous and virtuosic sonata for violin and piano not for domestic music-making, but for public performance. It was written for the half-African violinist George Polgreen Bridgetower(1780-1860), who visited Vienna while on a concert tour in Europe. Beethoven was introduced to the young virtuoso and was sufficiently impressed to compose a piece hastily for their concert performance on 24 May 1803. The violin part was finished just in time, but the piano part had only a sketchy outline, for which Beethoven compensated with his remarkable improvisatory skills. It was a success, but after a quarrel with Bridgetower the dedication was transferred to another esteemed violinist, Rodolphe Kreutzer(1766-1831), when the sonata was published in 1805. It is the only sonata for violin and piano by Beethoven with a slow introduction, begun by the violin alone in A major as a noble prologue to the Presto in minor mode, with the violin often playing multiple stopping - more than one string at a time - vying with the piano in bravura. The middle movement is a set of four variations on an elegant theme, while the finale, originally composed for the earlier Sixth Sonata for Violin and Piano in the same key, drives the music like a frenzied tarantella dance. 這首是貝多芬最著名、最能展示精湛演奏技巧的小提琴及鋼琴奏鳴曲，為大型音樂會的公開演出，而非為小眾沙龍式演奏所寫。擁有非洲血統的小提琴家布里治托華(1780-1860)，巡迴歐洲演出時到訪維也納，經介紹後，貝多芬與這位年青演奏名家見面，印象很好，甚至為他連夜趕寫一首作品，在1803年5月24日一場音樂會一同演出。樂曲的小提琴部分及時完成，惟鋼琴部分則只寫了草稿，貝多芬以其出眾的即興演奏技巧填補了這個不足。這次表演十分成功，可惜兩人後來發生爭拗，1805年出版作品時，貝多芬改為題獻給另一位備受尊敬的法國小提琴家魯道夫‧克魯采(1766-1831)。 貝多芬所有小提琴及鋼琴奏鳴曲之中，只有這首以緩慢的引子展開，小提琴獨奏出A大調的堂皇前奏，然後進入小調的急板。小提琴在多數時間演奏多音，即同時拉奏超過一條弦線，與鋼琴彈奏出的琴音協和。中間樂章根據一個典雅的主題，發揮成四個變奏。終樂章原是為同調的第六小提琴及鋼琴奏鳴曲所寫，音樂滿有力量地推進，像一首狂熱的塔朗泰拉舞曲。