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Join LuLa's Newsletter to stay updated with all things photography: https://luminous-landscape.com/newsle... Become a LuLa Member for full archive & videos: https://luminous-landscape.com/regist... Michael Reichmann and Jeff Schewe—filmed and edited by Chris Sanderson—discuss one of the most important choices in fine art printing: paper selection. With today’s vast array of glossy, matte, watercolor, baryta, and fiber-based papers, knowing how optical brightening agents (OBAs), texture, and finish affect your prints is crucial. Using side-by-side comparisons on Epson’s Hot Press and Cold Press (natural and bright) as well as Exhibition Fiber and Canson Baryta Photographique, they explore how surface, brightness, and dynamic range influence print quality and longevity. What You’ll Learn: Why this is the “golden age of papers” for fine art printing. The difference between hot press (smooth) and cold press (textured) papers. How optical brightening agents (OBAs) affect brightness, dynamic range, and archival stability. Why OBAs fluoresce under UV and how glass/acrylic framing neutralizes their effect. Pros and cons of printing on natural vs brightened papers. The tactile and aesthetic differences between watercolor papers and baryta/fiber papers. Dynamic range (D-Max) comparisons: matte vs glossy vs baryta papers. How paper choice affects perceived detail, texture, and image sharpness. The importance of narrowing down to two go-to papers for consistency and mastery. Real-world examples from prints made with Phase One IQ180 files on Epson 7900 and fine art papers. Links & Resources: Join LuLa's Newsletter to stay updated with all things photography: https://luminous-landscape.com/newsle... Become a LuLa Member for full archive & videos: https://luminous-landscape.com/regist... #LuminousLandscape #FineArtPrinting #InkjetPapers #MichaelReichmann #JeffSchewe #CameraToPrintToScreen #OBAs #Baryta #WatercolorPapers #PaperChoice