(1957) Sun ''It'll Be Me'' (Chatter, Slow Take 1) Jerry Lee Lewis скачать в хорошем качестве

(1957) Sun ''It'll Be Me'' (Chatter, Slow Take 1) Jerry Lee Lewis

STUDIO SESSION FOR JERRY LEE LEWIS AT THE MEMPHIS RECORDING SERVICE FOR SUN RECORDS 1957 SUN RECORDING STUDIO 706 UNION AVENUE, MEMPHIS, TENNESSEE SUN SESSION: PROBABLY JANUARY/FEBRUARY 1957 SESSION HOURS: UNKNOWN PRODUCER AND RECORDING ENGINEER - SAM C. PHILLIPS AND/OR JACK CLEMENT "IT'LL BE ME" Composer: - Jack Clement Publisher: - B.M.I. - Knox Music Incorporated Matrix number: - None - Slow Take 1 (2:34) Recorded: - January/February 1957 - Not Originally Issued Released: - September 1989 First appearance: - Bear Family Records (CD) 500/200rpm BCD 15420-1-31 mono CLASSIC JERRY LEE LEWIS - THE DEFINITIVE SUN RECORDINGS 1956 - 1963 Reissued: - October 2015 Bear Family Records (CD) 500/200rpm BCD 17254-1-18 mono JERRY LEE LEWIS AT SUN RECORDS THE COLLECTED WORKS "It'll Be Me" is a song written by Jack Clement, first released in April 1957 by Jerry Lee Lewis, as B-side to his single "Whole Lot of Shakin' Going On" (Sun 267). The song was written by Clement with the intention that it be the follow-up A-side to Jerry Lee Lewis' first local hit, "Crazy Arms". According to Clement, "We were working on a song I'd written called "It'll Be Me", and I was in the control room and getting tired of it, so I went out there and said, 'Why don't we get off of this? We'll come back to it later, Jerry. Let's cut something else...'." Band member J. W. Brown suggested that Lewis play another song that had been going down well in live performances, "Whole Lotta Shakin' Going On". When the single was released, "It'll Be Me" was used as the B-side. Another (slower and shorter) version of the song, from a later recording session, was released in May 1958 on his first album Jerry Lee Lewis. Cliff Richard and the Shadows released their version as the A-side of a single in August 1962. It reached number 2 on the UK Singles Chart[3] and was a top ten hit in numerous other countries. In 1983 Richard rerecorded the song for his 25th Anniversary album Rock 'n' Roll Silver (exclusive to the limited edition box-set Silver). Tom Jones recorded two studio versions of the song, one for his album ''Country'', the other with Jools Holland (Tom Jones & Jools Holland album, 2004). Other versions are by Deep Purple, Gerry & The Pacemakers, The Move (Something Else from The Move, 1968), Johnny Cymbal, Les Carle, Bobby Vee, Johnny Winter, Paul Rishell and Janis Martin. Jerry Lee Lewis took an extended break from the studio work throughout April and May 1957, during which he toured extensively in the mid-west and in Canada. But before leaving Memphis he worked on a second, so-called ''slow'' arrangement of ''It'll Be Me'' would itself in due course reap further rewards for Clement when it found a place on Lewis's first album and/or EP that year or so later. Again, successive takes demonstrated steady progress until the LP/EP master was settled upon. With the exception of the initial pair and the last of the seven, these takes are not that easy to differentiate but there are some useful pointers. The opener is straightforward, as it is missing the emblematic ''knock on the door'' drum intro. Take 2, once it is underway following a false start, establishes the template for what is to come but this effort is set apart by Jerry Lee's vocal histrionics as they come out of the instrumental break. In take 3, during the same passage, the phrase ''in the night\\ is noticeably hurried compared to the norm. Take 4 alone features, in the fourth verse, the idea of ''something funny'' as opposed to ''a funny face'' being seen ''in a comic book''. In take 5 an untypical piano break confirms that we're on new ground. The second, LP master then follows; the main point of reference is simply that this is the most recognisable take, against which the variations perceptible in the others can be measured although one vocal nuance which can be highlighted is the clipped way in which the term ''sugar bowl'' is sung in the penultimate line. Take 6 has been presented as a postscript here because it presents a change of tempo that isolates it from the mainstream development of the song. Source: Jerry Lee Lewis at Sun Records The Collected Works, and From Wikipedia, the free encyclopedia Name (Or. No. Of Instruments) Jerry Lee Lewis - Vocals and Piano Roland Janes - Guitar Jay W. Brown - Bass James M. Van Eaton - Drums © - 706 UNION AVENUE SESSIONS - ©