Guitar Studies - Key of G - 7 Shapes - 3 note per string - Arpeggios Combined with Modal Pentatonics скачать в хорошем качестве

Guitar Studies - Key of G - 7 Shapes - 3 note per string - Arpeggios Combined with Modal Pentatonics

Lesson PDF - 12 Major Keys-7 Scale Shapes-Guitar Tutorials-YouTube Video_6pgs - https://www.dropbox.com/s/zm0zg7l5g3s... Lesson PDF - Key of G-Entire Fingerboard - https://www.dropbox.com/s/1uu9zz42vsa... Lesson PDF - modal pentatonics-Key of G-sliding patterns-YouTube Video - https://www.dropbox.com/s/aqt6uq3ptcp... NOTE - these are "NOT" the exact patterns I'm using in this video. However, there is enough basic information presented in these diagrams to use as a reference. Video Highlights: 0:00 - Introduction 2:50 - playing through the 7 Scale Shapes on strings 6 5 4 3 as a Warm Up 5:34 - playing through the Diatonic 7th Chord Arpeggios across the fingerboard (Diatonic Ascending 4th Intervals) using the "Locrian" Shape 6:19 - adding in the Modal Pentatonic Scales that correspond to each Diatonic 7th Chord Arpeggio 8:53 - playing through the Diatonic 7th Chord Arpeggios across the fingerboard (Diatonic Ascending 4th Intervals) using the "Ionian" Shape 9:52 - adding in the Modal Pentatonic Scales that correspond to each Diatonic 7th Chord Arpeggio 11:42 - playing through the Diatonic 7th Chord Arpeggios across the fingerboard (Diatonic Ascending 4th Intervals) using the "Dorian" Shape 13:04 - adding in the Modal Pentatonic Scales that correspond to each Diatonic 7th Chord Arpeggio 14:34 - brief demonstration of using the Diatonic 7th Chord Arpeggios with the Chords - Am7-D9-Gmaj7-Cmaj7 15:24 - "Exploring Alternate Fingering Strategies" starting with the 2nd finger on the Root of the Diatonic 7th Chord Arpeggios 16:38 - adding in the Modal Pentatonic Scales that correspond to each Diatonic 7th Chord Arpeggio 18:12 - "Exploring Alternate Fingering Strategies" starting with the 4th finger on the Root of the Diatonic 7th Chord Arpeggios 19:23 - adding slides to the Gmaj7 & Cmaj7 Arpeggios - combining with the Descending Modal Pentatonic Scale ending on the 3rd of each Major 7th Chord 20:12 - reference to a YouTube Video "10 Jazz Improvisation Patterns for a Great Sounding Solo" by @JasonKlobnackMusicInc 20:50 - playing Arpeggios 4 Strings in a Row 22:20 - playing through the Diatonic 7th Chord Arpeggios across the fingerboard (Diatonic Ascending 4th Intervals) using the "Phrygian" Shape 23:16 - adding in the Modal Pentatonic Scales that correspond to each Diatonic 7th Chord Arpeggio - the "fingering patterns" for the Diatonic 7th Chord Arpeggios and Modal Pentatonic Scales for Bm7 & Em7 Chords are "exactly the same" 25:42 - tangent on playing Bm7 Arpeggios "Exploring Alternate Fingering Strategies" 26:52 - playing Em7 Arpeggios "Exploring Alternate Fingering Strategies" - brief reference to George Van Eps - Actually, I should have said Johnny Smith 27:05 - exploring "Stretched Out Chord Voicings" ala Johnny Smith - Em7 - Am7 - Bm7 28:16 - playing through the Diatonic 7th Chord Arpeggios across the fingerboard (Diatonic Ascending 4th Intervals) using the "Lydian" Shape 29:36 - adding in the Modal Pentatonic Scales that correspond to each Diatonic 7th Chord Arpeggio 31:05 - Bm7 Chord - legato blues lick using "double pull off and slide" 32:35 - playing Cmaj7 Arpeggios "Exploring Alternate Fingering Strategies" - exploring "Stretched Out Chord Voicings" ala Johnny Smith - Gmaj7 - Amaj7 33:42 - playing through the Diatonic 7th Chord Arpeggios across the fingerboard (Diatonic Ascending 4th Intervals) using the "Mixolydian" Shape 34:19 - adding in the Modal Pentatonic Scales that correspond to each Diatonic 7th Chord Arpeggio 35:40 - playing D7 Arpeggios "Exploring Alternate Fingering Strategies" - exploring "Stretched Out Chord Voicing" ala Johnny Smith - A7 36:28 - discovering similar or exact fingering patterns between Chord Arpeggios - D7 to Gmaj7 - Bm7 to Em7 37:36 - Closing Thoughts 38:54 - Ending Improvisation In this video I am playing a late 80's Ibanez Artist with a Seymour Duncan Jazz pickup (neck pick-up-parallel) going through an A.R.T. LeVeLAr Professional Vactrol/Leveling Amplifier. I'm using Stringjoy Signatures Strings 10-48, Dunlop Herco Holy Grail Guitar Pick .75 mm and a 10ft Pig Hog "Western Plaid" right angle cable. The voice was recorded with a Heil PR-40 microphone. I'm using a RØDE PSA1 Broadcast Microphone Boom Arm and a pair of Sennheiser HD 58X Open Back Professional Jubilee Headphones for monitoring. Everything is running into an Apogee Element 88 and iMac running Logic Pro X. I'm using Mackie HR824 Studio Monitors for mixing. Waves Audio Plugins - Scheps Omni Channel, PuigChild 660 & 670 Compressor. Logic Pro X Plugins - Channel EQ, Space Designer, Loudness Meter, Adaptive Limiter, Level Meter.