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UPDATE: March 2019 "How to Make Money Shooting Stock Footage" • TRAILER for WORKSHOP: HOW TO MAKE MONEY S... I've just completed a new 5-hour Master Class workshop that teaches how to make money shooting stock footage. If that is a topic that interests you, please check it out. This winter I spent most of February working in central Florida where I was able to take advantage of the nice weather and go out and shoot wildlife stock footage whenever I had some spare time. Shooting nature and wildlife at various locations around the USA is something I really enjoy. It is great when you can a make a business out of something you’d do as a hobby anyway! I am not a full-time wildlife shooter, nor do I want to be. I freely admit that I do not have the patience to trek thousands of miles and spend weeks sitting in a blind waiting for some eggs to hatch. I would describe myself as a “casual” wildlife photographer who usually spends no more than 2-3 hours on a typical outing. Sometimes I don’t even know that I’m going to go out shooting until a few minutes before I leave. Normally I shoot my wildlife footage as 4K RAW with my Sony PMW-F55, my O’Connor 1030D tripod, and a giant Canon telephoto lens (vimeo.com/dougjensen/f55wildlife). But that is a very heavy rig (about 45 lbs.) that doesn’t allow me to venture too far off the beaten path when I’m working by myself. So last month I decided to take out my tiny PXW-Z150 and see what I could get with a small inexpensive camera and my lightweight Sachtler FSB6 tripod. I like using the FSB6 with my smaller cameras because it provides the kind of silky-smooth pans and tilts that are necessary when shooting the unpredictable actions of wildlife. A tripod that only allows locked-down shots won't suffice. As expected, the smaller size of the Z150 and FSB6 allowed me to hike into some places where I wouldn’t have been able to go with my bulky F55 -- and I think I got some nice 4K stock footage that should sell very well over the next few years. In fact, based on my experience with stock footage sales, I am confident that the 4K footage I shot with the Z150 last month will ultimately justify the entire the cost of the camera and tripod. Amazing but true. If you are interested in seeing more footage from the Z150 and FSB6, please check out this demo footage I shot last summer in Rockport and Camden, Maine. vimeo.com/173282735 Also, if you want to learn more about the Z150, my 4.5 hour “Sony PXW-Z150 Master Class” training video is available for on-demand streaming at Vimeo. vimeo.com/ondemand/z150 The entire first 41:00 chapter of the Master Class can be streamed for free here: vimeo.com/179567188 Technical Details: Camera: PXW-Z150 Codec: XAVC-L 4K UHD @ 30 fps (all slow-motion is 1080P @ 120 fps up-rezzed to 4K) Lens: 12x f/4 zoom lens that is built into the camera Tripod: Sachtler FSB6 Graded in DaVinci Resolve and Edited in Adobe Premiere on my MacBook Pro Music: purple-planet.com Sony PMW-F55 Field Guide: https://itunes.apple.com/us/book/doug... Guide to Grading Sony S-LOG/RAW in Resolve https://vimeo.com/ondemand/resolve Sony PXW-FS7 Master Class training video: https://vimeo.com/ondemand/fs7 Sony PXW-FS7 Field Guide: https://www.vortexmediastore.com/prod... Sony PXW-FS5 Master Class training video: https://vimeo.com/ondemand/fs5