Unbelievable And Mysterious Chidambaram Temple || చిదంబర రహస్యం వీడిందా? || With Subtitles скачать в хорошем качестве

Unbelievable And Mysterious Chidambaram Temple || చిదంబర రహస్యం వీడిందా? || With Subtitles

Please watch: "Mysterious Lord Shiva Temple Hints The End Of The World || కలియుగాంతనికి కారణమైయే శివుడి గుడి "    • Mysterious Lord Shiva Temple Hints The End...   ~-~~-~~~-~~-~ Unbelievable And Mysterious Chidambaram Temple || చిదంబర రహస్యం వీడిందా? || With Subtitles The story of Chidambaram begins with the legend of Lord Shiva strolling into the Thillai Vanam (Vanam meaning forest and thillai trees - botanical name Exocoeria agallocha, a species of mangrove trees - which currently grows in the Pichavaram wetlands near Chidambaram. The temple sculptures depicting the Thillai trees date back to the 2nd century CE). In the Thillai forests resided a group of saints or 'rishis' who believed in the supremacy of magic and that God can be controlled by rituals and 'mantras' or magical words. The Lord strolls in the forest with resplendent beauty and brilliance, assuming the form of 'Pitchatanadar', a simple mendicant seeking alms. He is followed by his Grace and consort who is Lord Vishnu as Mohini. The rishis and their wives are enchanted by the brilliance and the beauty of the handsome mendicant and his consort.On seeing their womenfolk enchanted, the rishis get enraged and invoke scores of 'serpents' (Sanskrit: Nāga) by performing magical rituals. The Lord as the mendicant lifts the serpents and dons them as ornaments on his matted locks, neck and waist. Further enraged, the rishis invoke a fierce tiger, which the Lord skins and dons as a shawl around his waist.Thoroughly frustrated, the rishis gather all their spiritual strength and invoke a powerful demon Muyalakan - a symbol of complete arrogance and ignorance. The Lord wearing a gentle smile, steps on the demon's back, immobilizes him and performs the Ánanda Thaandava (the dance of eternal bliss) and discloses his true form. The rishis surrender, realizing that this Lord is the truth and he is beyond magic and rituals. Chidambaram is also referred to in various works such as Thillai (after the Thillai forest of yore in which the temple is now located), Perumpatrapuliyur or Vyagrapuram் (in honour of Saint Vyagrapathar).The temple is supposed to be located at the Lotus heart of the Universe": Virat hridaya padma sthalam. On the spot where the Lord displayed his dance of bliss, the Änanda Thaandavam - a spot exactly south of the "Thirumoolataaneswar temple", today is the Ponnambalam/ Porsabai (Pon meaning gold, Ambalam/Sabai meaning stage) housing the Lord Shiva in his dancing form. The Lord is also hence referred to as the Sabhanayakar, meaning the Lord of the Stage. This gold-roofed stage is the sanctum sanctorum of the Chidambaram temple and houses the Lord in three forms: the "form" - the anthromorphological form as an appearance of Lord Nataraja, called the Sakala thirumeni. the "semi-form" – the semi-anthropomorphological form as the Crystal linga of Chandramouleswarar, the Sakala nishkala thirumeni. the "formless" – as the Space in Chidambara Rahasyam, an empty space within the sanctum sanctorum, the Nishkala thirumeni. Chidambaram is one of the Panchabootha Sthalas, where the Lord is worshipped in his manifestation as sky or Aagayam ("pancha" – meaning five, bootha – meaning the elements: earth, water, fire, wind and space and "sthala" meaning location). The others are: the Ekambareswarar temple at Kanchipuram, where the Lord is worshipped in his manifestation as Earth the Jambukeswarar temple at Thiruvanaikaval, in Tiruchirapalli, where the Lord is worshipped in his manifestation as Water the Annamalaiyar Temple at Tiruvannamalai, where the Lord is worshipped in his manifestation as Fire the Kalahasti temple at Srikalahasthi, where the Lord is worshipped in his manifestation as air/wind. Chidambaram also is one of the five places where Lord Shiva is said to have displayed his dance and all these places have stages/ sabhais . Apart from Chidambaram which has the Por sabhai, the others are the Rathina sabhai at Thiruvaalangadu (rathinam – ruby / red) , the Chitra sabhai at Courtallam (chitra – painting), the Rajatha sabhai or the Velli ambalam at Madurai Meenakshi Amman Temple (rajatha / velli – silver) and the Thaamira sabhai at Nellaiappar Temple, Tirunelveli (thaamiram – copper).