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Stay up to date with the University of Leeds International Concert Series by following us on social media @UoLConcerts - https://linktr.ee/uolconcerts Also sign up to our newsletter - https://bit.ly/361BVoK --------------------------------------------------- Beth Moxon – Zanetto Elizabeth Hardman – Silvia Jonathan Drummond – Piano Rosie Kat – Director John Lyon – Musical Director A semi-staged performance of Mascagni’s little-known and rarely performed Zanetto, sung in Italian with English surtitles. Only 50 minutes long with a cast of two main characters, Zanetto is a unique opera that breaks away from many conventions of the genre. Romance is dead and love is a lie – a chance encounter on a park bench may just prove otherwise… Silvia is done with men – years of working as a sugar baby have convinced her that true love is something that just doesn’t happen for girls like her. She’s on the way back from seeing a client when she sees a musician – Zanetto – sleeping rough on a park bench. The two women have an instant connection, but Zanetto loves the freedom of following wherever the wind blows each day. They chat through the night and at sunrise Zanetto says maybe she could settle down after all… Beth Moxon Born and raised in Leeds, Beth is a recent Young Artist for the Opéra National de Lyon, Les Azuriales Festival and a ENOA/Britten Pears Scholar having completed her studies at the National Opera Studio. Previously, Beth gained an Artist Diploma from the Royal College of Music’s International Opera School where she studied with Dinah Harris and a Masters (Distinction) from the Royal Academy of Music where she studied with Catherine Wyn Rogers. On stage, Beth has performed the roles of Mercedes (Bizet’s Carmen), Mother/Sandman (Humperdinck’s Hansel and Gretel), Dorabella (Mozart’s Cosi fan tutte), L’enfant (Ravel’s L’enfant et les sortileges), Laura (Tchaikovsky’s Iolanta), Penelope (Monteverdi’s Il ritorno d’Ulisse in Patria), 2nd Lady (The Magic Flute), Ella (Huw Watkins’ In the locked room), Hermia (Britten’s A Midsummer Night’s Dream), Lapak/Woodpecker/Grasshopper (Janáček’s The Cunning Little Vixen), Sally (Arne’s Thomas and Sally), Rosimonda (Handel’s Faramondo, London Handel Festival 2017), Maurya (Riders to the Sea), Nancy (Albert Herring), 3rd Boy (Die Zauberflöte) Frau Viehmann, the Witch and Granny in the European premier of Canadian composer Dean Burry’s chamber opera The Brothers Grimm, Juno/Public Opinion (Orpheus in the Underworld). Beth has covered the roles of Mrs Olsen in Weill’s Street Scene for Opera North, Woodpecker in Janacek’s The Cunning Little Vixen and 2nd Bridesmaid in Mozart’s Le nozze di Figaro with Glyndebourne Festival Opera and Stewardess in Jonathan Dove’s Flight with Opera Holland Park. Elizabeth Hardman Elizabeth is an early-career full-lyric soprano, having completed Master’s-level study with two commendations for vocal performance. Elizabeth was Europe Semi-Finalist Winner in the International Music Grand Prix and a participant of the Serena Fenwick Programme (National Opera Studio). Roles include cover Mistress Page at Opera Holland Park (Vaughan-Williams’ Sir John in Love), Flora (Dove’s Enchanted Pig), Semele (Handel’s Semele), Rosalinde (Strauss’ Die Fledermaus), Mrs Grose (Britten’s Turn of the Screw), Saffi (Strauss’ Der Zigeunerbaron), Kay (King’s The Snow Queen), Melia (Mozart’s Apollo et Hyacinthus), Cunegonde/Paquette (Bernstein’s Candide), and Dido (Purcell’s Dido and Aeneas) with Leeds Youth Opera, King’s Opera and University of Leeds Opera. Jonathan Drummond Originally from New Zealand, Jonathan is a freelance musician based in Leeds. He has worked as an accompanist at Northern Ballet since 2017, has played for Opera North on numerous education projects across the north of England since 2016, and was a member of the music staff at Leeds Youth Opera from 2015-2022. Rosie Kat Rosie is an opera director from Newcastle Upon Tyne. She trained at RWMD, graduating with Distinction in MA Opera Directing. She founded Y Opera (formerly Squillo Opera) in 2018; highlights include Donizetti’s Rita, He do the police in different voices, and The Mikado Is Watching You. Rosie’s assisting work includes The Cunning Little Vixen (Opera North), Don Giovanni (Welsh National Opera), Patience (Charles Court Opera) and Amahl (Northern Opera Group). John Lyon John Lyon is a conductor, arranger/composer, violinist and choral singer. He is the principal conductor of Leeds Symphony Orchestra and a Music Leader for Sheffield City Council’s music education service, where he is in demand for his ensemble coaching, individual instrumental tuition, and innovative pedagogy. John completed undergraduate and postgraduate degrees in musicology at the University of Leeds, where he conducted the university’s chamber and symphony orchestras as well as musically directing for the university opera society.