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John Williams: Binary Sunset from Star Wars Episode IV: A New Hope Arranged for piano by @leibniz154 Original video and score here: • Binary Sunset for piano - Star Wars Played on a Pleyel piano from 1909 John Williams uses for his score for Star Wars the leitmotiv technique, invented by C. M. von Weber, developed by R. Wagner and imported in film music by the last representative of the german-austrian romanticism E. W. Korngold. It consists in using short musical ideas to depict a character, a place or an idea. It evolves along with the musical narrative. The first leitmotif used for the Binary Sunset cue, one of the most iconic scene in the Star Wars franchise, is Luke's theme (the main theme) played softly by the woodwind, far from the heroic statements of the brass section later in the film, underlining the innocence of Luke. Then comes the Force theme, which stands in this instance for hope, first introduced by the horn solo before being played by the string section. The rebel fanfare, played by the woodwinds, follows and depicts the call for adventures. Luke's theme is stated one last time by the clarinet, with the dies irae as a countermelody, which represents Luke's family dreadful future, before giving place for a mysteriously stated Force theme. The cue ends with a darker undertone.