The Kingdom of Falling Hours (2025) (Full Album) (Progressive Rock) (Instrumental) скачать в хорошем качестве

The Kingdom of Falling Hours (2025) (Full Album) (Progressive Rock) (Instrumental)

[email protected] #progressiverock #progrock #cosmicrock #symphonicrock #futuristic #instrumentalmusic #instrumental #spiritual #mellotron #artrock #analogsynth #moog #TheKingdomOfFallingHours The Kingdom of Falling Hours Attention: Created using AI Attention: Created using AI Attention: Created using AI The details below are fictional (they serve only to create an atmosphere "around" the album and transport the listener to another time and place). (Released in 1975 by Orpheon Records, UK) “To capture time, one must first let it escape.” — band motto, carved inside the studio door. MIXING PHILOSOPHY Rather than polish, the band pursued presence. Every hiss, every breath, every slight detuning was treated as part of the composition. Adrian Leclair described the process as “painting with erosion.” The aim was not to reproduce perfection, but to record the passing of time itself — sound as memory in motion. The mix was done at night, under dim amber light. No automation, no overdubs beyond the physical performance. The final mixdown lasted from dusk until dawn — the engineers claim the first sunlight entered the studio exactly as the last chord of “The Kingdom of Falling Hours” faded. Genre: 1970s symphonic progressive rock Concept: A metaphysical chronicle of time, memory, and decay — told as a grand theatrical cycle. Each composition is an “hour” within a crumbling kingdom where moments reign, fade, and return as echoes. The album explores the beauty of impermanence: the way all things, even music, exist only while they are vanishing. Aesthetic: Warm analog grandeur, baroque harmonic architecture, poetic melancholy, and cinematic atmosphere. The sound merges piano and organ with Mellotron choirs, Moog-like leads, acoustic guitars, fretless bass, and orchestral percussion. “Every hour falls, yet none are lost - they become light within the dust.” 1 - Prologue of the Hourglass - The awakening of time, the beginning of the count. A solemn piano overture and swelling organ motif introduce the album’s central theme: the birth of motion within stillness. (0:00) 2 - Throne Beneath the Twilight Veil - A king and his throne veiled in twilight and oblivion. Majestic yet mournful, this track unfolds like a forgotten anthem from a silent empire. (2:51) 3 - Marble Wings, Silent Rain - Beauty dissolving the instant it rises. A tender ballad of piano, fretless bass, and choral Mellotron - fragile, graceful, transient. (5:14) 4 - The Orchard of Amber Winds - The song of autumn and return to the earth. Folk-symphonic textures and gentle 6/8 rhythm evoke the turning leaves of life’s cycle. (8:35) 5 - Reflections Before the Eclipse - The motionless moment between light and shadow. An instrumental meditation of organ, guitar, and suspended harmonies - a musical eclipse in slow motion. (11:27) 6 - Masquerade of the Pilgrim Star - A journey disguised as festivity and illusion. Theatrical and virtuosic; a suite of shifting tempos, harpsichord themes, and swirling organ fugues. (15:12) 7 - Litany for the Crystal Choir - A prayer suspended in air, made of glass and voice. Choral and serene; soft bells, Rhodes piano, and ethereal harmonies shimmer like stained light. (19:35) 8 - The River of Forgotten Voices - Whispers of a vanished world, flowing eternally. Pastoral melodies meet deep nostalgia - the flow of memory rendered as music. (25:33) 9 - Elegy for the Broken Stage - A lament for the echoes and applause that have died. A requiem for performance itself: tragic, organ-driven, cinematic in scope. (28:36) 10 - Verses Left in Dust - The poet who wrote for no one, yet was heard by the wind. An intimate reflection for piano, voice, and Mellotron flute - quiet resignation and grace. (32:30) 11 - Valley Where the Echo Sleeps - The distant choir of souls resting in the mist. Expansive and sacred, blending organ drones, choral layers, and wind-like percussion. (37:26) 12 - Threads of Dawn - The brief interweaving of hours before the dawn. A short instrumental bridge of harp, strings, and electric piano - delicate and timeless. (41:28) 13 - Crown of the Vanishing Sun - The fall of the star, the glory in the instant of loss. The album’s dramatic apex: orchestral power and harmonic dissonance in radiant collapse. (47:49) 14 - The Curtain and the Sea - The silence after the final chord - the sea returns the sound. Minimal, luminous, and reflective - like waves washing over the remains of music itself. (53:54) 15 - The Kingdom of Falling Hours - The symphony of time, remembered in fragments. The grand finale: reprises of earlier themes merge into a vast cyclic coda - the kingdom’s last breath. (56:42) 16 - The Kingdom of Falling Hours (Bonus - Take 2) - Alternate recording, more intimate and acoustic. A quiet reimagining of the finale, stripped to piano, voice, and faint organ, closing the circle once more. (1:00:01)