J.S.Bach, Cello Suite No.6 in D major, BWV 1012 (Yo-Yo Ma) скачать в хорошем качестве

J.S.Bach, Cello Suite No.6 in D major, BWV 1012 (Yo-Yo Ma)

J.S.Bach, Cello Suite No.6 in D major, BWV 1012, with a theme-and-structure analysis and synchronized sheet music (score) Performance: Yo-Yo Ma (cello), 1997, Sony Analysis, Score Editing, Synch: ScoreMan 00:00 I. Prélude 04:37 II. Allemande 12:46 III. Courante 16:48 IV. Sarabande 22:07 V. Gavotte I & II 25:50 VI. Gigue OVERVIEW Johann Sebastian Bach’s Cello Suite No. 6 in D major, BWV 1012, is the final and most demanding of the six solo cello suites. It stands out immediately for its radiant, triumphant character and its extraordinary technical difficulty. Compared to the other suites, it sounds more brilliant and expansive, often giving the impression of a string ensemble rather than a single instrument. The music is full of wide-ranging arpeggios, bright chords, and long melodic lines that push the cello to its limits. HISTORICAL CONTEXT The six cello suites were most likely composed around the Köthen period (circa 1717–1723), when Bach was working for Prince Leopold and had excellent instrumentalists at his disposal. The Sixth Suite is widely believed to have been written for a five-string cello (a violoncello piccolo or cello with an added high E string), which explains the extreme high register and virtuosic writing. When played on a modern four-string cello, the suite becomes exceptionally challenging, requiring frequent shifts into the upper positions and demanding clarity in complex textures. This historical detail helps explain why the Sixth Suite was long considered the most difficult and was less frequently performed until the twentieth century. MUSICAL SIGNIFICANCE Musically, the Sixth Suite represents the culmination of Bach’s exploration of what a single melodic instrument can achieve. Bach creates the illusion of polyphony through broken chords, implied counterpoint, and harmonic richness, reaching a level of complexity unmatched in the earlier suites. At the same time, the suite maintains a sense of joy and affirmation, especially in the Prelude and the dance movements, which feel expansive rather than introspective. The Sixth Suite is often seen as a celebration of mastery, both compositional and instrumental, and it has become a benchmark for cellists, symbolizing technical command, musical maturity, and a deep understanding of Bach’s style.    • J.S.Bach's Masterpieces      • J.S.Bach - 6 Cello Suites      • D.Scarlatti - Keyboard Sonatas      • W. A. Mozart - Piano Sonatas      • L. v. Beethoven's Masterpieces      • L. v. Beethoven - 9 Symphonies      • L. v. Beethoven - Piano Sonatas      • F. Schubert - Piano Sonatas      • F. Chopin's Masterpieces      • F. Chopin - 19 Mazurkas      • F. Chopin - 19 Polonaises      • F. Chopin - 22 Nocturnes      • F. Chopin - 19 Waltzes      • R. Schumann's Masterpieces      • F. Liszt's Masterpieces      • J. Brahms's Masterpieces      • P. I. Tchaikovsky's Masterpieces      • C. Debussy's Masterpieces      • M. Ravel's Masterpieces      • S. Prokofiev's Masterpieces      • S. Prokofiev - Piano Sonatas      • Piano Sonata Collections      • Piano Concerto Collections      • Violin Concerto Collections      • Suite Collection