Bach, Toccata, Adagio and Fugue in C major BWV 564 (Helmut Walcha) скачать в хорошем качестве

Bach, Toccata, Adagio and Fugue in C major BWV 564 (Helmut Walcha)

J.S.Bach's Toccata, Adagio and Fugue in C major BWV 564, with a theme-and-structure analysis and synchronized sheet music (score) Performance: Helmut Walcha (organ), 1956/09 Stereo, St. Laurenskertk, Alkmaar Analysis, Score Editing, Synch: ScoreMan 00:00 I. Toccata 05:23 II. Adagio 09:59 III. Fugue OVERVIEW Bach’s Toccata, Adagio and Fugue in C major, BWV 564 is one of his most ambitious and grandly conceived works for organ, and a fascinating piece in his early style. This work is not just a display of keyboard virtuosity, but a musical experiment in architecture, drama, and expressivity. It bridges the Baroque traditions of the North German organ school with the lyricism and form of Italian concertos — a true testament to Bach’s creative genius in his early maturity. HISTORICAL CONTEXT Bach composed this work most likely during his Weimar years (1708–1717), when he served as court organist and Konzertmeister. This was the time when he was deeply absorbing Italian concerto style (especially Vivaldi) and combining it with his German contrapuntal tradition. BWV 564 is exceptional because it shows Bach’s early experimentation with large-scale form and dramatic contrast — not just contrapuntal mastery. The inclusion of a lyrical Adagio between the Toccata and Fugue is quite rare in organ works of the time, and shows Bach thinking orchestrally — as if composing a concerto for the organ. The Toccata also has virtuosic pedal passages, possibly the earliest extended pedal solo in organ literature, which was meant to display both the performer’s skill and the capabilities of the large Weimar organ. MUSICAL SIGNIFICANCE Innovative Structure: The inclusion of an expressive Adagio between a toccata and fugue was a novel concept. It anticipated the multi-movement forms later common in instrumental music. Virtuosity: The solo pedal passage in the Toccata is groundbreaking — one of the earliest extended examples of its kind, designed to astonish. Stylistic Fusion: BWV 564 exemplifies Bach’s synthesis of German organ tradition and Italian instrumental idioms, marking a turning point in his development. Influence: This work influenced later composers, including Liszt and Busoni (who made famous transcriptions for piano). It also inspired Romantic and modern performers for its dramatic contrasts and spiritual depth. ✨ Beethoven's Masterpieces (sorted by Opus)    • L. v. Beethoven's Masterpieces   🎶 Beethoven Symphonies    • L. v. Beethoven - 9 Symphonies   ✨ Chopin's Masterpieces (sorted by Opus)    • F. Chopin's Masterpieces   🎶 Chopin Mazurkas    • F. Chopin - 19 Mazurkas   🎶 Chopin Polonaises    • F. Chopin - 19 Polonaises   🎶 Chopin Nocturnes    • F. Chopin - 22 Nocturnes   🎶 Chopin Waltzes    • F. Chopin - 19 Waltzes   ✨ Prokofiev's Masterpieces (sorted by Opus)    • S. Prokofiev's Masterpieces   🎹 Piano Sonata Collections    • Piano Sonata Collections   🎹 Piano Concerto (Piano & Orchestra) Collections    • Piano Concerto Collections   🎻 Violin Concerto (Violin & Orchestra) Collections    • Violin Concerto Collections