Edvard Grieg - Holberg Suite, Op. 40 - played by Katja Činč скачать в хорошем качестве

Edvard Grieg - Holberg Suite, Op. 40 - played by Katja Činč

Edvard Grieg - Holberg Suite, Op. 40 - played by Katja Činč 1. Praeludium 0:01 2. Sarabande 3:03 3. Gavotte - Musette 6:56 4. Air 10:17 5. Rigaudon 19:01 Recorded in July 2014 in Studio Činč Pianist Katja Činč was born in Ljubljana, on the 15th of November, 1990. She finished primary music school in the class of prof. Vesna Dolamič, secondary music school in the class of prof. Lidija Malahotky - Haas and Music Academy in Ljubljana in the class of prof. Tatjana Ognjanović. Currently she is attending postgraduate study at Zagreb Academy of music in the class of prof. Ruben Dalibaltayan. Katja took part at numerous music competitions and awarded several prizes. She had many performances in concerts and recitals in Slovenia, Croatia (Zagreb, Makarska), in Italy (Gorizia, Trieste, Sirakuze, Troina, Verbania, Citta di Moncalieri, Moruzzo, Duino), in Austria (Vienna) and in Hungary (Budapest, Szombathely and Szentgotthárd). She attended numerous seminars and masterclasses held by famous and respectable pianists such as: Oxana Yablonskaya, Igor Laszko, Arbo Valdma, Oliver Kern, Konstantin Bogino, Vladimir Krpan, Ruben Dalibaltayan, Julia Gubaidullina, Michele Rossetti, Häkon Austbø, Hinko Haas, Igor Dekleva, Marina Horak, Robert Thomas, Vedrana Kovać and Rosaria Dina Rizzo. She has also attended masterclasses for chamber music and worked with musicians such as: Tonko Ninić, Vladimir Krpan, Tomaž Lorenz, Trio di Parma (Alberto Miodini, Ivan Rabaglia and Enrico Bronzi) and cellists Karmen Pečar, Damir Hamidullin and Igor Škerjanec. Many of Katja's piano recordings (works by Mozart, Beethoven, Schumann, Dvořak, Arensky, Brahms, Glinka, Debussy, Turina, Šostakovič, Piazzola and Slovenian composers Ramovš, Pahor, Škerjanc and B. Ipavec) can be heard at Slovenia radio programmes and are kept in the national RTV archives. She also recorded four promotional cds with works from baroque to impresionism. Katja also participates in piano trio AMARILIS with violinist Lucija Mlakar and cellist Urška Horvat. They succesfully presented themselves in many concerts in Slovenia and abroad. They also recorded for national television and radio RTV Slovenia (Dvořak: »Dumky« trio, op. 90). For their artistic work they' ve recieved highly respected cultural student award "Prešeren's award". Their mentors were prof. Tomaž Lorenz and members of renowned Trio di Parma (Scuola del Trio di Trieste in Duino, Italy). FACTS ABOUT THE COMPOSITION: The Holberg Suite, Op. 40, more properly "From Holberg's Time" (Norwegian: Fra Holbergs tid, German: Aus Holbergs Zeit), subtitled "Suite in olden style" (Norwegian: Suite i gammel stil, German: Suite im alten Stil), is a suite of five movements based on eighteenth century dance forms, written by Edvard Grieg in 1884 to celebrate the 200th anniversary of the birth of Danish-Norwegian humanist playwright Ludvig Holberg. It exemplifies nineteenth century music which makes use of musical styles and forms from the preceding century. It can be compared with Franz Liszt's À la Chapelle Sixtine, S.360 (1862) and contrasted with later neoclassical works. The Holberg Suite was originally composed for the piano, but a year later was adapted for string orchestra. The suite consists of an introduction and a set of dances. It is a charming, early essay in neo-classicism, an attempt to echo as much as was known in Grieg's time of the music of Holberg's era. ABOUT THE COMPOSER: Edvard Grieg (Norwegian: [15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use and development of Norwegian folk music in his own compositions put the music of Norway in the international spectrum, as well as helping to develop a national identity, much as Jean Sibelius and Antonín Dvořák did in Finland and Bohemia, respectively. Grieg is regarded as simultaneously nationalistic and cosmopolitan in his orientation, for although born in Bergen and even buried there, he traveled widely throughout Europe, and considered his music to express both the beauty of Norwegian rural life and the culture of Europe as a whole.