My LIGHTROOM COLOR GRADING Process for CINEMATIC Photos скачать в хорошем качестве

My LIGHTROOM COLOR GRADING Process for CINEMATIC Photos

Cinematic Color Grading easily applied on your photos with #Adobe #lightroom If you want to follow along this Lightroom Color Grading Tutorial, you can get the raw photo here: https://drive.google.com/file/d/1sqS3... ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ Thank you for watching my video! ► Prints: http://www.the-phlog.com ► Patreon:   / phlog   ► Instagram:   / thephlog   ► Facebook:   / phlog   ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ 0:00 Intro In this Lightroom Color Grading video its not about keeping natural colors, its about applying a cinematic look to the photo. To do that, there are 3 very important adjustments we need to do: The white balance, the split toning and the calibration. Besides that, there are some more minor adjustments which will help get better colors! For this long exposure photo, I wanted to have very strong (even a bit unnatural) warm sunset colors which can be easily achieved with a few adjustments. In fact, all the editing for this photo was done in Adobe Lightroom classic. 0:16 1. Basic Adjustments First, I changed the camera profile to Adobe Landscape for more saturation. Then, to start working on the warm colors, I increased the white balance temperature a lot. Also, I increased the tint to reduce the green color cast that was going on. Before further working on the colors, I dropped the highlights to get more structure in the clouds and added whites to not lose brightness. Next, I added texture and dehaze for a sharp, contrast rich look. 2:25 2. Color Grading I started in the HSL tab by tweaking the hues. First, I increased the orange and yellow hue, then I headed into the saturation tab to drop the orange saturation and increase the blue ones. Then, in the Luminance tab I dropped the blue luminance to add contrast to the sky. For the color grading of this image the split toning was the most important part: Here, I added a warm color to the highlights with a very high saturation. Then, for the mid-tones again I used a warm color tone using a high saturation. For the shadows, a cold color was used. Finally, I added a warm color globally with a rather low saturation. In the calibration panel I dropped the blue hue and increased the saturation to give the warm tones a more red-ish color. Also, In the red tone curve channel I added some more reds to the highlights without risking too much overexposure.