Fernand Leger 費爾南·萊熱 скачать в хорошем качестве

Fernand Leger 費爾南·萊熱

Working in Paris during the height of Cubism, Fernand Léger’s iconic style, with its emphasis on primary colors and rounded, massive forms, has become informally regarded as “Tubism.” Even at their most abstract, Léger’s subjects are easier to recognize than the rigorous Cubist dissections of Pablo Picasso and Georges Braque, and the accessibility and contemporary subject matter of his works have led many to describe Léger as both populist and a forerunner of Pop Art. Interested in modern innovation, Léger joined the Puteaux Cubists, engaging with Robert Delaunay, Francis Picabia, and Jean Metzinger, among others. His interest in industry and machines was further encouraged by the Italian Futurist painters, and by his military service for France during World War I. While Léger would later revisit more traditional subjects—including the female nude, landscape and still life—these works retained his characteristically bold style. French, 1881–1955, Argentan, France, based in Paris, France 法國畫家和設計師。出生在阿根廷，諾曼底。學徒給卡昂1897-9的建築師。在1900年移居巴黎，當建築師的繪圖員，也在藝術學院和阿卡德朱利安學習。受到塞尚的影響。 Met Delaunay，Gleizes，Douanier Rousseau等人;從1909年參加立體主義運動，並開發了一個半抽象的立體主義成語與動態對比管狀形式。在1912年在巴黎的Galerie Kahnweiler的第一個一人展覽。在法國軍隊1914-17，在機器形式的美麗興奮。繪畫有時是動態的，有時是靜態的，從現代工業文明和對像如鑰匙，管道等取得的;大膽的對立的顏色。與勒·柯布西耶和Ozenfant的友誼。合作實驗電影芭蕾Mécanique1924年，芭蕾舞的設計套裝和服裝，並試驗壁畫。在美國，1940年5月，在那裡他開始組成的潛水員，雜技演員和騎自行車的人。於1945年返回法國，在他的最後幾年不僅活躍作為一個畫家，而是作為設計師的芭蕾舞和陶瓷，馬賽克和彩色玻璃的彩色雕塑。系列的建築工人，馬戲團等的圖畫。獲獎的大獎賽在1955年聖保羅Bienal。在死訃Gif-sur-Yvette死了。