國際音樂活動「中樂無疆界」- 朱踐耳《悲調》Chinese Music Without Bounds - Sorrowful Tune by Zhu Jian’er скачать в хорошем качестве

國際音樂活動「中樂無疆界」- 朱踐耳《悲調》Chinese Music Without Bounds - Sorrowful Tune by Zhu Jian’er

HKCO 網上音樂廳 - 國際音樂活動「中樂無疆界」- 「樂旅中國 × 中樂無疆界」音樂會 - 朱踐耳《悲調》 HKCO Digital Concert Hall - Chinese Music Without Bounds - Music about China X Chinese Music Without Bounds - Sorrowful Tune by Zhu Jian’er 為了讓大型中樂合奏的藝術形式成為國際音樂創作的表現平台，樂團於2016至2017年舉辦了國際音樂活動「中樂無疆界」，連串跨越疆界、縱橫中西的音樂界盛事包括「樂旅中國 × 中樂無疆界」音樂會、「國際作曲家高峰會」及「國際作曲大賽」。配合「中樂無疆界」研討會的主題，「樂旅中國X中樂無疆界」音樂會中，樂團選演了多首在配器極具代表性和開拓性的大型中樂作品，包括著名作曲家朱踐耳的《悲調》。 樂曲選自以下音樂會 Performed at the following concert： 「樂旅中國 × 中樂無疆界」- 第四十四屆(2016年)香港藝術節節目 Music about China X Chinese Music Without Bounds - A Programme of the 44th Hong Kong Arts Festival(2016) 27/2/2016 晚上8:00pm 香港大會堂音樂廳 Hong Kong City Hall Concert Hall 指揮：閻惠昌 Conductor: Yan Huichang ------------------------------------------------------------------------------------------ 《悲調》 朱踐耳曲 A Sorrowful Tune Zhu Jian’er 作曲家的話: 1965 年我到廣東省沿海的漁民中去瞭解生活，採集民歌。在眾多的美妙迷人的漁歌中發現了一首《苦歌》悲愴悱惻，深深打動了我。2004 年，當香港中樂團來委約作品時，我就以此素材創作了一首樂曲《悲調》。 中國傳統音樂以單旋律為主，和聲很不發達。所以在為中樂合奏寫作時，我是從線性思維出發，用幾個不同性格的線條組合成網狀結構，以適應「人人各抒衷腸」的內涵的需要。這種寫法是否可行，是否有效，還要通過演奏實踐來驗証。《悲調》用的是多聲部的複調寫法，並有多調性的疊置。這在中樂合奏中是較少見的，結果會怎樣，把握不大。2005 年收到一張光碟，是樂團試奏的錄音，使我得以察覺到作品中的一些瑕疵，作了修改。於 2006 年 4 月正式公演了，效果居然出乎意料的好。 這全仗著藝術總監閻惠昌先生十分細緻的藝術處理，很富有創意和表現力，以及全體演奏員們全身心地投入，樂感和分寸感掌握得極好，為作品大大增色。能和世界級的中樂團合作，我十分榮幸和感激。香港中樂團決定在 2015 香港藝術節上再次演出這首作品，使我們又能再次歡聚。我非常珍惜這難得的緣份。 — 朱踐耳 曲目介紹: 這首樂曲，一開始那持續的固定低音，彷彿是踉蹌的步態和不平的心態。在這背景下，出現一個淳樸而悲切的主題。先是獨奏（一人訴說），以後是齊奏（眾人訴說），同時還隱約出現兩個副題，一高一低，作為陪襯。 這個悲調主題，在十二個不同調性上共出現了十二次，由單一調性到雙調性、三個調性的重疊，情緒愈來愈激動，在高潮的頂點時，悲慟欲絕，呼天喊地，達到了天怒人怨的氣勢 ……。最後，猶如餘音繞樑，在一聲長嘆中漸漸消失。 — 朱踐耳 此曲由香港中樂團委約創作，並於 2006 年 4 月「中英對話」音樂會中作世界首演，指揮閻惠昌。 What the composer says: In 1965, I was on a field trip to the coastal region of Guangdong to understand the life of the fishing folk and to collect folk songs. Among the many beautiful tunes, there was one Bitter Song, which had such a movingly sad quality that it went straight to my heart. In 2004, when the Hong Kong Chinese Orchestra commissioned me to write a piece, I decided to use the material at hand and came up with A Sorrowful Tune. Traditional Chinese music is monodic music, and harmony is underdeveloped. In writing for the Chinese orchestra, I took a linear approach and used different lines with different character to form a network-like structure, so that each would be allowed a chance to express its depth of feelings. As for whether this structure works effectively, one needs the actual performance to test out. A Sorrowful Tune engages polyphony that consists of multiple, independent melodic voices and the overlapping of polytonality. They were unprecedented attempts, and I was quite uncertain about the final outcome. In 2005, I received a CD-ROM from the HKCO, which was a recording of their test playing of my work. This led me to discover some of the faults in it, and I revised the score. By April 2006 when the work was performed on stage to a public audience, I was quite happy with the result. For this, I must thank Mr Yan Huichang, Artistic Director of the HKCO, for his sensitive interpretation and innovative, expressive treatment. I also would like to thank all the orchestral members for their engrossing performance which showed their musicality and control. My work was presented with such panache that I was truly gratified. It is my honour and my pleasure to be able to collaborate with a world-class Chinese orchestra like the HKCO. I cherish the opportunity to work with the HKCO again at this concert in the 2015 Hong Kong Arts Festival. Zhu Jian’er Programme Notes: The music opens with a basso ostinato that imitates a staggering gait of a person in distress, and from there the simple yet mournful theme appears. After a solo passage, the orchestra joins in. It is the voices of the people telling their own stories. The theme is echoed and supported by two subordinate subjects. The theme of pathos is repeated twelve times on different instruments in different tonality. Emotions are heightened as more instruments join in, climaxing to a sky rocking, earth-shaking break point before coming to a quietly reverberating close. Zhu Jian’er The music was commissioned and world premiered in April 2006 at the concert ‘An East-West Crossover’ by the HKCO, under the baton of Yan Huichang. #同心抗疫 #TogetherWeFightTheVirus #StayHomeSaveLives #中樂無疆界 #悲調 #朱踐耳