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🎹 Lesson 7: Rhythmic Patterns & Odd Note-Groupings in Pentatonic Lines Get the complete course here: https://mdecks.com/pentatonics.phtml Learn more about Mapping Tonal Harmony Pro: https://mdecks.com/mapharmony.phtml Today, we’re breaking free from the standard 4/4 feel by using odd note-groupings in pentatonic lines. This technique adds rhythmic displacement and a polyrhythmic feel to your improvisation! 📌 Step 1: Internalizing the Chord Progression ✔ Practice voicings in the left hand first. ✔ Test in different keys to build flexibility. ✔ Use a backing track (call-and-response) while playing just the left hand. 📌 Step 2: Right-Hand Patterns with Odd Note-Counts 🎶 We’ll play patterns from the pentatonic scale, but with odd note-groupings that don’t align evenly with 4/4 time: ✅ First Pattern: A 3-beat phrase, shifting accents across the measure. ✅ Second Pattern: Starts on b7 of the pentatonic scale, adding an extra note to extend the grouping. 📌 Understanding the Hemiola Effect 🔥 In the Am7b5 → Ab7 progression, the pattern is played twice, creating a hemiola: ✅ Accents shift in each measure, generating a polyrhythmic feel. ✅ This makes phrases land on unexpected beats, adding forward momentum and syncopation. 📌 Practice Tips 🎯 Master each pattern separately before combining them. 🎯 Use slurs & accents to reinforce the rhythmic groupings. 🎯 Analyze where phrases land within the measure. 🎯 Experiment by applying these rhythmic ideas to different progressions. 🎶 By mastering odd note-groupings, you’ll unlock greater rhythmic freedom and create more compelling, unpredictable lines! 👉 Like & Subscribe for more jazz piano lessons! 🎹🔥 Lesson 7 Chapters 0:00 Pentatonic Lines Exercise 7 2:26 How To Practice Pentatonic Lines 3:06 Call & Response Pentatonic Line No.7 #JazzPiano #RhythmicPatterns #Polyrhythm #OddNoteGroupings #PentatonicScales #Hemiola #Syncopation #JazzImprovisation #ModernHarmony #mDecksMusic