Bartók - The Wooden Prince | Cristian Măcelaru | WDR Symphony Orchestra скачать в хорошем качестве

Bartók - The Wooden Prince | Cristian Măcelaru | WDR Symphony Orchestra

Béla Bartók's The Wooden Prince op. 13, performed by the WDR Symphony Orchestra under the baton of its principal conductor Cristian Măcelaru. Recorded live Sept. 02, 2023, at the Philharmonie in Cologne. Bartók, one of Cristian Măcelaru's favorite composers along with Mahler, opened up tremendous depths in fairy tale material. He was inspired by the story of the enamored prince who fools his haughty beloved with a wooden doll to compose almost intoxicating ballet music. Béla Bartók The Wooden Prince op. 13 Dance play in one act 00:00 I. Einleitung. Molto moderato 05:15 II. Erster Tanz: Tanz der Prinzessin im Walde. Molto moderato 09:55 III. Zweiter Tanz: Tanz der Bäume. Assai moderato 14:30 IV. Dritter Tanz: Wellentanz. Andante 25:01 V. Vierter Tanz: Tanz der Prinzessin mit der Holzpuppe. Allegro 40:23 VI. Fünfter Tanz. Meno mosso 42:02 VII. Sechster Tanz. Allegretto grazioso 43:27 VIII. Siebter Tanz. Moderato WDR Symphony Orchestra Cristian Măcelaru, conductor ► For more on the symphony orchestra, concerts and current livestreams, visit https://sinfonieorchester.wdr.de ► The WDR Symphony Orchestra on Facebook   / wdrsinfonieorchester   ► Further concerts and introductions to works from the world of classical music, symphonic crossover, choral singing and concerts for children can also be found in the ARD Mediathek: https://www.ardmediathek.de/klassik Work introduction: What to do when the opera composed with a lot of imagination and heart and soul lies in the drawer and there is no prospect of it being performed - because it is supposedly too short? Quite simple: compose another short work and launch both pieces as a double evening. This is what Béla Bartók tried to do when his opera "Duke Bluebeard's Castle," completed in 1911, was not successful. The text came from Béla Balázs, and when Bartók discovered the draft of the story ballet "The Wooden Prince" by the same author in a magazine, a decision was soon made. As he wrote to his mother in 1914: "the ballet is being created because it demands it". After the outbreak of World War I, Bartók put the work on hold for the time being, as a performance was unlikely for the time being. Two years later, however, he got his hopes up again and completed the score in January 1917. He had negotiated with the officials of the Budapest Opera House that the premiere should be in the spring of the same year. First, however, some hurdles had to be overcome. The orchestra was more than skeptical, and the Hungarian conductors of the opera house refused to rehearse the work. Eventually, Italian conductor Egisto Tango took over the production - a stroke of luck for Bartók. The next pitfall proved to be the scenic realization: none of the permanent directors and choreographers wanted to take on the newfangled ballet. Too complicated, too cryptic, too symbolistic. Without further ado, the author Balázs himself took on this work. Bartók's cleverly devised plan of a double bill, however, fell through. His dance play, which was ambitious both in terms of content and music, was put on the program together with works by Christoph Willibald Gluck and Mozart. This seemed to indicate that the conservative audience would not be able to appreciate Bartók's piece. But lo and behold, the premiere of the "wood-carved prince" turned out to be a complete success. Text: Otto Hagedorn