"On The Move" by Ghetto Fingers скачать в хорошем качестве

"On The Move" by Ghetto Fingers

"On The Move" by Ghetto Fingers (from the album "Walkie Talkie") - Grand Theft Auto 1 Soundtrack 25th Anniversary Release Artwork by "dave, if you please". I decided to use Grand Theft Auto's 25th Anniversary as the motivation to upload definitive mixes of the tracks I wrote and recorded for the game, as well as some demos and early mixes of the tracks that were used in playable demos we shared with our publisher (BMG Interactive) while it was still in development. These days most people couldn't imagine Grand Theft Auto without its satirical radio stations, but when we started working on GTA in 1995 that idea didn't exist yet. We certainly didn't know that the radio station format we eventually built into the game would go on to be a central pillar of every subsequent version of the franchise for the next 25 years. We were just doing the same thing we did on every game DMA Design made - trying to create an audio experience that would be as innovative and entertaining as it possibly could be. This track was the first one I recorded for Grand Theft Auto, and along with Craig's "Grand Theft Auto Hip-Hop track it played a big part in selling the team and our publishers on the idea of adding "radio stations" to the game. It makes use of many vocal samples from the infamous Zero-G Datafile sample CDs (  / sampling_zerog_datafile_vol_13_classic_sam...  . The first iteration I did was actually done back before we'd been given the greenlight to create a CD soundtrack for the game. I'd done a version of this track as a proof-of-concept to demonstrate how we'd be able to create convincingly real radio tracks purely from a bank of audio samples. I remember having to borrow equipment from all across DMA's audio team in order to create a set-up that was capable of playing it back, as most samplers were limited to 32Mb of memory at the time. But by chaining them together it was possible to make something approximating a hard disk recording system. At that point I had no idea how we were going to make that work in the game, but I felt confident we'd figure it out. After it was finished I demoed it to the rest of the audio team and I remember Craig Conner remarking something to the effect, "well, that's certainly upped the bar we're aiming for!", which was exactly the effect I was hoping it would have. In the end we didn't have to go to all that trouble as the game switched to having a CD soundtrack, I persuaded DMA to invest in a Pro Tools hard disk recording system, and we were able to record all the tracks without having to resort to masses of samplers and sample banks to provide the playback. However, the track kept its "sample based" roots, and many of the Datafile vocal samples made it to the final track. Drums: John Gurney Keyboards: Stuart Ross Bass, Guitar, and Programming: Colin Anderson Music: Colin Anderson Lyrics: Zero-G Datafile Volumes 1, 2, & 3