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Speakers: Hernán Gené A conversation for clowns, actors and actresses, theatre students, theatre directors, playwrights and other people close or far from the world of Clowns. What determines whether something is funny or not? What is the nature of the comical? Why can we laugh at some things and not at others? Is there a specific dramaturgy for clowns? “When I started working as a clown and in the world of humour, my main goal was to get the audience to laugh. I couldn’t tolerate more than forty- fiie seconds without a laugh, and if that happened I thought that everything was going wrong and the show was falling apart. This need of mine to hear laughter almost constantly made for very funny shows because they were put together by placing one gag after another and another and another. It took me many years to understand that in this way I was missing out on exploring and exploiting other deeper variables, especially the poetry that can be found in the world of clowns.” Hernán Gené. “Clown Dramaturgy” (Clownplanet. Barcelona, 2021) ____________________ ✨ Want more? The Clown Spirit Village is home to an ever-growing archive of masterclasses, learning resources, and community events that celebrate the depth and joy of clowning. 🌐 Explore the Clown Spirit Village: https://www.clown-spirit.com/village 🎧 Listen to our podcast: https://www.clown-spirit.com/podcast 📸 Follow us on Instagram: / clownspirit_barnaby 👥 Join The Way of the Clown Facebook group: / thewayoftheclown Thank you for being part of this beautifully ridiculous, deeply meaningful unlearning journey. 🙃❤️