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Introducing three works; ‘Agape’ (2021), ‘Ecognosis’ (2021) and ‘Areolae Undant’ (2017), all of which share a common compositional methodology where an individual performer’s interpretation is at the crux of the structures unfolding. Agape: Performed by Bergrún Snæbjörnsdóttir, Gunnhildur Einarsdóttir, Mathias Engler, John McCowen and Júlía Mogensen Ecognosis: Performed by the International Contemporary Ensemble: Josh Modney, Kyle Armbrust, Michael Nicolas, Joshua Rubin and Rebekah Heller Areolae Undant: Performed by Bergrún Snæbjörnsdóttir, William Winant, Kevin Corcoran, Kyle Bruckmann, John McCowen, Marissa Deitz and Theresa Wong. Hailing from the peripheries of Iceland, now Reykjavík based composer Bergrún Snæbjörnsdóttir (b. 1987) follows inner logics when approaching composition, often integrating sound and visual phenomena into an indivisible whole. Her “elemental style” (Steve Smith, The New Yorker) has been performed widely and by groups such as Oslo Philharmonic, Iceland Symphony Orchestra, Avanti! Chamber Orchestra and International Contemporary Ensemble, while also programmed by festivals such as Lincoln Center’s Mostly Mozart, Tectonics, ISCM’s World New Music Days, Sound of Stockholm, Prototype and more. Bergrún studied at Mills College with the likes of Pauline Oliveros, Zeena Parkins and Roscoe Mitchell. More info: http://www.bergrun.com/