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With Primate, Johannes Roberts returns to the tightly controlled, survival-driven horror that has become a defining thread in his work. Set largely within a single domestic space, the film combines animal-driven terror with an emphasis on proximity, vulnerability, and escalating pressure. Following a strong festival run, Primate arrives in UK cinemas on January 30 and opens in US theatres on January 9. The film centres on Lucy, a teenager who comes home for the holidays expecting little more than an uneasy family reunion. When her father is abruptly called away, Lucy is left in the house with her sister and the family’s chimpanzee, Ben. A small gathering of friends initially brings a sense of normality, but that fragile calm soon fractures. As tensions rise and boundaries collapse, the familiar environment becomes increasingly hostile, with the characters forced to confront a threat that leaves no clear path to escape. True to Roberts’ style, the danger is shaped as much by confinement and timing as it is by the creature itself. Ahead of the film’s release, we spoke with Johannes Roberts about the construction of Primate and his approach to sustained tension. Our conversation touches on working with animal-focused horror, the importance of practical effects, and how character relationships shape the film’s sense of threat. SUBSCRIBE so as not to miss out on any upcoming videos at Howard's Haunt HERE: https://bit.ly/2KUmvrp Check out all of Howards channels: SCREAM horror movie interviews/reviews/articles: https://bit.ly/3n63XCy Twitter: / howardgorman Instagram: / howser75