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Last week was fun, but (believe it or not) it was a little "mainstream" feeling for me. So this Sunday, I created a mini psychedelic synth visual EP for my other project, The Video Wizards, which you can see here: • Psychedelic Psunday - Visual Album On Monday, it seemed like a waste to not use some of the really cool sounds I'd generated, so I started putting some of my favorite isolated tracks together in different ways to see what fit. They were all wildly different BPMs, but it created kind of a cool polyrhythm effect. The first track is a recording of the Microkorg where I was messing around with the cutoff and resonance while I held keys down with a really long attack and release. It's also the final sound you hear in the song. The next track was a really simple sequence I created on my Novation Circuit that just played a single note or group of notes every 16 steps at 44 BPM into an amp/delay pedal that held the note until the next was triggered. I'm not sure what BPM it would technically be but it also triggered a couple notes on the built-in drum machine at different intervals as well. The track that comes in after that is actually my Stylophone CPM-DS2's drone with a 10ish second LFO being fed into the filter input of my Behringer TD-3. I used the little hack where you turn off the internal waveform oscillator so it isolated the drone coming in, and I played a pattern at about 220 BPM. It created that interesting little stuttery effect that starts and then plays through the rest of the song. The next track is me playing notes into my Crave while turning down the cutoff at the beginning and end of each note. About halfway through the song I turn on the arpeggiator. The final piece to this puzzle is a drum track comes in for a little bit, then leaves, then comes back at a slower tempo (that I then pitch-shifted up to compensate for the lower sound). I loved how it interacted with the notes in the first half of the song, but when it returned I couldn't seem to get it to synchronize, so I stretched it to align with a few notes that I thought sounded nice. For the video, I filmed the legendary evilyn walking around the streets of Albuquerque in the bunny mask that I purchased for a soon-to-be released feature film sequel to another project I made. I then desaturated the image, added contrast, and separated the video into red, green, and blue, and then offset the color tracks by a frame to create that subtle color shift effect. I made the song in a few hours but I couldn't shoot the video until our schedules aligned, and I was so excited to finish last night that I shot and edited the whole project in an evening. I slept on it so I could review it with fresh eyes in the morning, made a few changes, and here is the final export :)