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▅▅▅▅▅▅▅▅▅▅▅▅▅|READ THE DESCRIPTION|▅▅▅▅▅▅▅▅▅▅▅▅▅ ¸¸♬·¯·♩¸¸♪·¯·♫¸¸¸♬·¯·♩¸¸♪·¯·♫¸¸¸¸♬·¯·♩¸¸♪·¯·♫¸¸¸♬·¯·♩¸¸♪·¯·♫¸¸¸¸♬·¯·♩¸¸♪·¯·♫¸¸¸♬·¯·♩¸¸♪·¯·♫¸¸¸¸♬¸¸ Finally, I'm back with new piano covers! I'm planning to create a new album featuring piano arrangements for both you and myself! A bit of background: In 2023, I came across some YouTube videos showcasing the demo version of the game MiSide. After watching those, I was eager to play it myself, and I ended up really enjoying it. The game was released on December 11th in the morning, and I bought it almost immediately and completed it. I initially thought I would just play an interesting game, but it turned out that there was a lot of captivating music. Unfortunately, many of the soundtracks will be challenging to adapt for piano, so I won't be able to transcribe everything. However, I'll do my best to select the best pieces! ‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗ Now, let's get into the performance of my arrangement: 1. After the introduction, as the dynamics develop, there are some nuances to pay attention to. At 0:27, make sure to use the pedal for the bass notes. Personally, I preferred using the sostenuto pedal here because I wanted to maintain a non-legato touch in the melody. ‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗ 2. At 0:36, as the melody evolves, it's crucial that both melodies remain expressive. ‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗ 3. At 0:43, I use the right pedal slightly on the first beat. Remember not to lose the articulation in the melody, which has transformed into staccato. Only at 0:50 do I use the right pedal for the entire measure; by then, the melody in my right hand changes while my left hand continues playing the old melody from the previous section. ‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗ 4. At 0:52, I apply the right pedal very carefully since there are staccato notes in the right hand melody. By 1:15, I switched to using the sostenuto pedal because the melody in my right hand has fully transitioned into staccato. ‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗ 5. From 2:03 to 2:27, there are very short durations in the right hand and closer to the end of this section in the left hand. It's better to interpret these as a form of arpeggiato rather than counting them out. I hope this will come intuitively for you; here, finger agility is essential. ‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗ 6. At 2:27, the melody is played non-legato. At 2:36, there are small slides in the original piece; I've chosen to use pedal here to highlight this distinct period. ‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗‗ 7. At 2:43, we reach a climax where everything sounds quite loud and assertive. In this concluding section, there are a couple of nuances to note. The right-hand melody features a lower voice with an "a" note. I forgot to visually indicate that during the second and subsequent power chords "a-e-a," the left hand plays the "a" note. This would be more comfortable and prevent strain on your right hand. I've corrected this issue in the MIDI file, so no worries! ▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰ ❤Download❤ (WAVE + MP3) ►Bandcamp►https://danvolmusic.bandcamp.com/trac... ►Patreon► / piano-miside-mp3-119826484 ►Boosty►https://boosty.to/danvol/posts/bfddd1... ▂ ❤Download❤ [MIDI] ►Patreon► / miside-main-menu-119826669 ►Boosty►https://boosty.to/danvol/posts/6ed941... ▂ ►MiSide (Piano Album)►https://danvolmusic.bandcamp.com/albu... ▂ ►The original album by AIHASTO►@aihastogames7830 ▂ ★Music Production★ ►MakenCat ▂ ★Piano Arrangement★ ►Danvol ▂ ★Animation★ ►Piano VFX/AE ▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰▰ ✈Follow me: ✈Main Channel: / @danvolpiano ✈Covers Channel: / @danvolcovers ✈BandCamp: https://danvolmusic.bandcamp.com ✈Group VK: https://vk.com/danvolmusic ✈Twitter: / danvolmusic ✈SoundCloud: / danvolmusic ✈Patreon: / danvol ✈DevianArt: https://www.deviantart.com/danvolmusic ✈FaceBook Page: / danvol21 ✈Group Facebook: / danvolmusic ---------------------------------☊Thank you for watching!☊------------------------------ #MiSide