Mozart - Symphony No. 38 "Prague", Movement 1 (Pokémon RSE Soundfont) скачать в хорошем качестве

Mozart - Symphony No. 38 "Prague", Movement 1 (Pokémon RSE Soundfont)

As requested by loganfruchtman953, I'll be covering Mozart's Symphony No. 38 "Prague", with the Pokémon RSE soundfont, starting with its first movement. Mozart's Symphony No. 38 is commonly known as the "Prague Symphony" in reference to the city where it was premiered, and where Mozart's music was still successful after his by-then gradual and sadly irreversible loss of popularity in Vienna had begun. Perhaps due to the composer's devotion to that still-appreciative place, his waning success, or simply a growth in compositional maturity, this symphony climbs even greater heights than its immediate predecessors, approaching those of his great final three. Two of the Prague Symphony's most outstanding characteristics are its use of more adventurous harmonies and counterpoint, that is, when at least two independent melodic lines are played at the same time in a coherent way. The latter of these can be found in the introduction, Mozart's most expansive, complex, and innovative yet, and one that Beethoven closely studied when composing the one found in his Second Symphony. At first, it begins in a declaratory and crystal clear D major, but very soon enters minor key territory (0:37), which only grows darker as it goes along, forceful statements further commanding our attention (1:20). When the troubled waters of the introduction have finally parted for the beginning of the exposition (3:14), the violins start with only a simple pulse, from which many more ideas than one would initially assume proceed to spring up. Here's where counterpoint first makes its frequent appearance (4:17 being a particularly good example of it). The startling, darker harmonies from the introduction have not been forgotten, as almost immediately after the restrained pleasant and restrained second theme in A major has begun (4:48), the music turns suddenly but seamlessly into A minor (5:00). Nonetheless, it recovers quite quickly from this (5:12) and the exposition ultimately ends in an exultant fashion. After an exact repeat of the whole exposition has taken place (6:00), the short but powerful development section begins immediately with counterpoint (8:46). Before long, this technique is used more intensely than ever before and the result is an affair both stormy and contagiously energetic indeed, until we arrive at its climax: a simple but satisfying return to some of the exposition's most joyous music (9:39). At first, one would think this was the beginning of the recapitulation. However, shortly after that ecstatic moment, the clouds darken once again (10:00), only letting up once we reach the real beginning of the recapitulation (10:28). As a varied repeat of the exposition, the recapitulation remains the same for the most part, with many subtle but expertly placed differences. Despite all the minor key fog and stormy clouds that have permeated much of this piece, this solid first movement manages to conclude in somehow even greater spirits than the exposition did. Symphony No. 38 in D major "Prague", K. 504 I. Adagio - Allegro Composer: Wolfgang Amadeus Mozart Soundfont: Pokémon Ruby/Sapphire/Emerald Movement 2:    • Видео   8-bit version:    • Mozart - Symphony No. 38 "Prague", Movemen...