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Buy the PDF score here: https://www.earlymusicscores.com/shop... Composed by Luigi Rossi (c.1597-1653). From Cantates italiennes de différents auteurs. Tome I. Giuseppina Bridelli, mezzo-soprano L'Arpeggiata The music is predominantly in recitative style, with slow harmonic rhythm, relatively few dissonances, and the relatively few imposing rhetorical flourishes in the vocal line. 'Tra romite contrade,' to a text by Antonio Abati, is the shortest of the five Rossi laments considered in this essay. It comprises only the words of the abandoned Olimpia, without a framing narration. Having apparently found solace in nature, she finally issues a warning to other girls to beware of the perils of love: 'naive young girls, who are at the same time both predators and prey of false lovers, extinguish your ardors; do not trust yourselves.' Rossi's only significant departures from recitative style come in an arioso refrain, which is heard twice during the cantata at 'un ingrato Bireno | mi rapì, mi tradì, | m'allettò, mi scernì' (an ungrateful Bireno | abducted me, betrayed me, | ensnared me, scorned me). Reference: William V. Porter, Lamenti recitativi da camera, in Con Che Soavità: Studies in Italian Opera, Song, and Dance, 1580-1740