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'In 1984, a new restoration and edit of the film, running 83 minutes, was made by Italian music producer Giorgio Moroder, who paid $200,000 for the rights, outbidding his Cat People collaborator David Bowie. Although Moroder initially intended only to create a new soundtrack, he was surprised by the lack of a definitive print, and expanded his project to a major reconstruction. Moroder's version, which was made in consultation with the Munich Film Archive and their archivist, Enno Patalas, was tinted to emphasise the different moods and locations in the film. It also featured additional special effects, replaced intertitles of character dialogue with subtitles and incorporated a soundtrack featuring songs Moroder composed, produced and recorded with popular artists such as Freddie Mercury, Bonnie Tyler, Pat Benatar, Adam Ant and Jon Anderson. It was the first serious attempt made at restoring Metropolis to Lang's original vision, and until the restorations in 2001 and 2010, it was the most complete version of the film commercially available. The shorter run time was due to the extensive use of subtitles for spoken lines instead of title cards, a faster frame rate than the original, and the fact that large amounts of footage were still missing at the time. Moroder's version of Metropolis generally received poor reviews. Moroder responded to the critics who lambasted his production for not being faithful to the original in The New York Times: "I didn't touch the original because there is no original." The film was nominated for two Raspberry Awards, Worst Original Song for "Love Kills" and Worst Musical Score for Moroder. However, Bonnie Tyler was nominated for Grammy Award for Best Female Rock Vocal Performance at the 27th Grammy Awards for "Here She Comes". In August 2011, after years of the Moroder version being unavailable on video in any format due to music licensing problems, it was announced that Kino International had managed to resolve the situation, and the film was to be released on Blu-ray and DVD in November. In addition, the film enjoyed a limited theatrical re-release. In 2012, the Academy of Science Fiction, Fantasy and Horror Films gave "Giorgio Moroder Presents Metropolis" a Saturn Award for Best DVD/Blu-Ray Special Edition Release.' . . . 'Metropolis is a 1927 German expressionist science-fiction film directed by Fritz Lang and written by Thea von Harbou in collaboration with Lang from von Harbou's 1925 novel of the same name (which was intentionally written as a treatment). It stars Gustav Fröhlich, Alfred Abel, Rudolf Klein-Rogge, and Brigitte Helm. Erich Pommer produced it in the Babelsberg Studios for Universum Film A.G. (UFA). The silent film is regarded as a pioneering science-fiction movie, being among the first feature-length movies of that genre. Filming took place over 17 months in 1925–26 at a cost of more than five million Reichsmarks, or the equivalent of about €21 million. Made in Germany during the Weimar period, Metropolis is set in a futuristic urban dystopia and follows the attempts of Freder, the wealthy son of the city master, and Maria, a saintly figure to the workers, to overcome the vast gulf separating the classes in their city and bring the workers together with Joh Fredersen, the city master. The film's message is encompassed in the final inter-title: "The Mediator Between the Head and the Hands Must Be the Heart". Metropolis met a mixed reception upon release. Critics found it visually beautiful and powerful – the film's art direction by Otto Hunte, Erich Kettelhut, and Karl Vollbrecht draws influence from opera, Bauhaus, Cubist, and Futurist design, along with touches of the Gothic in the scenes in the catacombs, the cathedral and Rotwang's house – and lauded its complex special effects, but accused its story of being naive. H. G. Wells described the film as "silly", and The Encyclopedia of Science Fiction calls the story "trite" and its politics "ludicrously simplistic". Its alleged Communist message was also criticized.' Source: https://en.wikipedia.org/wiki/Metropolis_(...)