THE SECRETS OF ANDALUSIA – Lux Musicae London [FHR157] скачать в хорошем качестве

THE SECRETS OF ANDALUSIA – Lux Musicae London [FHR157]

Released on a DigiSleeve CD and on all digital platforms: 24 January 2024 0:00 ANON.: Tres morillas m’enamoran en Jaén 0:21 TRAD.: A la una yo nací 0:52 LASSUS / CABEZÓN: Glossada sobre Susana un jur 1:33 ANON.: Dindirin, dindirin 2:04 ORTIZ: Recercada segunda 2:29 TRAD.: Samai Andalus 3:02 TRAD. Tears have betrayed my secrets in a valley 3:38 SELMA Y SALAVERDE: Vestiva i colli 4:13 MONTEVERDE: Pueblo blanco 4:50 ARAÑÉS: Una sarao de la chacona Lux Musicae London Sophie Creaner, Mirjam-Luise Münzel recorder Roberta Diamond soprano Daniel Thomson tenor Aileen Henry baroque harp Toby Carr baroque guitar, lute Harry Buckoke viola da gamba with ** Victoria Couper soprano Konstantinos Glynos kanun Ignacio Lusardi Monteverde flamenco guitar, oud The Secrets of Andalusia TRADITIONAL 1. Durme, durme ijiko de madre (‘Sleep, sleep mother’s little son’) (arr. Couper, Monteverde and Lux Musicae London) (soprano **, tenor, 2 recorders, oud, lute, viola da gamba) Pierre-Francisque CAROUBEL (1556–c. 1611) 2. Spagnolette (pub. 1612) (2 recorders, baroque guitar, viola da gamba) Lucas Ruiz de RIBAYAZ Y FONESCA (1626–after 1677) 3. Españoletas (pub. 1677) (harp) ANONYMOUS 4. Tres morillas m’enamoran en Jaén (‘I fell in love with three Moorish girls in Jaén’) (c. 1470) (arr. Couper, Glynos, Monteverde and Lux Musicae London) (2 sopranos, tenor, kanun, oud, viola da gamba) TRADITIONAL (15th cent.) 5. A la una yo naci (‘At one o’clock I was born’) (arr. Couper, Monteverde and Lux Musicae London) (soprano **, tenor, 2 recorders, flamenco guitar, baroque guitar) TRADITIONAL 6. Yo m’enamorí d’un aire (I fell in love with an illusion) (arr. Monteverde) (soprano **, flamenco guitar, kanun, baroque guitar) Orlando de LASSUS (c. 1530–1594) / Hernando de CABEZÓN (1541–1602) 7. Glossada sobre Susana un jur (‘Divisions over our Susanne one day’) (pub. 1578) (arr. Lux Musicae London) (soprano *, tenor, 2 recorders, viola da gamba) TRADITIONAL 8. A la una nací yo (‘At (one o’clock) I was born’) (arr. Couper, Glynos and Monteverde) (soprano **, kanun, oud) Francisco GUERAU (1649–1722) 9. Passacaglia (pub. 1694) (baroque guitar) José MARÍN (c. 1619–1699) 10. Ojos, pues me desdeñái (‘Eyes, since you scorn me’) (tenor, baroque guitar) ANONYMOUS (15th cent.) 11. Dindirin, dindirin (arr. Couper, Glynos, Monteverde and Lux Musicae London) (2 sopranos, tenor, 2 recorders, kanun, flamenco guitar, baroque guitar, viola da gamba) TRADITIONAL 12. Nani Nani (arr. Roberto DIAMOND) (soprano *) Juan VÁSQUES (c. 1500–1560) 13. Con qué la lavaré la tez de la mi cara? (‘With what shall I wash the skin of my face?’) (2 sopranos, tenor, 2 recorders, viola da gamba) Diego ORTIZ (c. 1510–1576) Trattado de Glosas (pub. 1553) 14. Recercada segunda (baroque guitar, viola da gamba) TRADITIONAL 15. Samai Andalus (arr. Monteverde) (recorder, kanun, oud, frame drum) 16. باحَ الدمع أسراري بوادي (‘Tears have betrayed my secrets in a valley’) (arr. Diamond and Monteverde) (soprano *, kanun, oud, viola da gamba) Bartolomé de SELAM Y SALAVERDE (1580/90–1640) Canzoni fantasie et correnti da suonar (pub. 1638) 17. Vestiva i colli (2 recorders, harp) Ignacio Lusardi MONTEVERDE (b. 1983) 18. Pueblo blanco (‘White Town’) (2018) (flamenco guitar) ANONYMOUS (pub. late 15th cent.) 19. Qué me queréis, caballero? (‘What do you want from me, gentleman?’) (arr. Couper and Lux Musicae London) (2 sopranos, tenor) Juan Bonet de PAREDES (?–after 1710) 20. Cuándo, cuándo podré lograrte, idolo de beldad? (‘When, when will I be able to attain you, idol of beauty?’) (soprano *, harp) Juan ARAÑÉS (?– c. 1649) 21. Una sarao de la chacona, ‘A la vida bona’ (‘Chaconne to the Good Life’) (pub. 1624) (arr. Couper, Glynos, Monteverde and Lux Musicae London) (2 sopranos, tenor, 2 recorders, kanun, baroque guitar, viola da gamba, frame drum) Recorded at the Church of the Ascension, Plumstead, London, UK 10–13 February 2023 Recorded and produced by John Croft (Chiaro Audio) Supported by the Continuo Foundation ℗ & © 2025 The copyright in these sound recordings is owned by First Hand Records Ltd firsthandrecords.com