The Costanoan Trio - Early Music America's 2018 Emerging Artists Showcase скачать в хорошем качестве

The Costanoan Trio - Early Music America's 2018 Emerging Artists Showcase

The Costanoan Trio Derek Tam, fortepiano Cynthia Black, violin Frédéric Rosselet, cello Adagio—Allegro vivace from Piano Trio in G Major, Op. 1, No. 2 Ludwig van Beethoven (1770-1827) Adagio from Piano Trio (Sonata) in C Major, Op. 47 Anton Reicha (1770-1836) Allegro molto, Menuetto militare from Sonata (Trio) in D Major, Op. 12, No. 4 Luigi Boccherini (1743-1805) Finale. Presto from Piano Trio in G Major, Op. 1, No. 2 Beethoven Recorded in Auer Hall at the Indiana University Jacobs School of Music as part of Early Music America's 2018 Emerging Artists Showcase during the Bloomington Early Music Festival. More about Early Music America: earlymusicamerica.org More about the Young Performers Festival and Emerging Artists Showcase: youngpeformersfestival.org More about the Bloomington Early Music Festival: blemf.org Recording© 2018, The Trustees of Indiana University. Used by permission. All Rights Reserved. ------------------------------- The Costanoan Trio takes its name from the Spanish word for the San Francisco Bay Area natives, coined in the second half of the 1700s when Western culture was being brought to the “new coast” while early classical music was being composed on another continent. Based in the San Francisco Bay Area, the members of the Costanoan Trio played together in various period ensembles over the past few years before deciding to join forces to perform music from the Classical era. The group explores the piano trio repertoire of the late 18th and early 19th centuries, with special interests in lesser-known composers and recreating the world of domestic music-making in intimate concert spaces. Intrigued by the extensive collection of piano trios from the late eighteenth century, the trio originally came together to sight-read some music for fun. Although it became obvious that the bulk of this repertoire is not democratic “chamber music” the way they imagined its counterparts from the string quartet repertoire, ensemble members discovered music they wanted to perform. In addition to continuing to find the gems in the vast repertoire of late 18th-century piano trios, the ensemble hopes to push its historical timeline forward into the 19th century, which holds a wealth of music for their forces, much unknown and rarely performed.