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"If you have done any freelance music work or any kind of freelance creative work, at some point you will need to invoice someone. And now's the time to figure out what you're going to do." In this Micro Action Monday, Megan talks about how to set yourself up for invoice success. Do you like these micro action episodes? You'll probably like the 29 Days to Diva series on The Sybaritic Singer too. Check it out here: https://sybariticsinger.com/category/... My gratitude goes out to Juanitos and Scott Holmes for the music featured in this episode. You can help support the creation of these episodes when you join the Sybaritic Camerata on Patreon. Get started at patreon.com/mezzoihnen. *Be on the Studio Class Podcast* Megan Ihnen is a professional mezzo-soprano, teacher, writer, and arts entrepreneur who is passionate about helping other musicians and creative professionals live their best lives. Studio Class is an outgrowth of her popular #29DaystoDiva series from The Sybaritic Singer. Let your emerging professionals be part of the podcast! Invite Megan to your studio class for a taping of an episode. Your students ask questions and informative, fun conversation ensues. ABOUT MEGAN IHNEN Megan Ihnen is a mezzo-soprano on a mission to change the world through the commissioning, performance, and proliferation of new music. She has collaborated with individuals and ensembles around the globe including: International Contemporary Ensemble, Fifth House Ensemble, Great Noise Ensemble, Rhymes With Opera, and Synchromy. She is deeply committed to the belief that new music should be performed and loved in communities of all sizes. Megan’s advocacy for music and musicians extends beyond the performance stage. She also effects change as a non-profit arts coach and consultant. She is currently the executive director of the Live Music Project which advocates for connecting people with live early music, classical, and new music experiences in a way that strengthens community, celebrates listener agency, and amplifies local arts resources. You have also likely interacted with her work for Nief-Norf, New Music USA, and many individual artists throughout classical and new music. Megan’s work at the intersection of performance, creative placemaking, audience development, and music entrepreneurship is a delight to her clients and colleagues.