4 Steps of Preproduction: Part 02 (Cinematic Lighting 17) скачать в хорошем качестве

4 Steps of Preproduction: Part 02 (Cinematic Lighting 17)

In Part One Ryan discussed how reading the script and meeting with the team impact the lighting choices you'll make on your projects. In Part Two we go over the second two steps of preproduction: location and tech scouts; and ordering cameras and lights. Comment? Question? Post It Here – We’ll Respond: http://indiecinemaacademy.com/academy... Part One: http://indiecinemaacademy.com/academy... Want To See It All? Join: http://indiecinemaacademy.com/members... TRANSCRIPT: ** Introduction ** I’ve heard it said before that if you fail to plan you plan to fail. Nowhere is this more true than in producing video content. That’s why the preproduction process is key to great lighting. In part one I showed you how to read the script in order to look for lighting cues and how to work with your team. In part two I’m going to cover how to location scout and how to place an order so you can have the tools that you need in order to walk away with the images that you see in your head. ** Step Three: Location and Tech Scouts ** There are two types of scouting trips you’ll do during pre-production: the location scout and the tech scout. The location scout is simply to find a suitable location for the project. Something that fits the look and tone of the project. After the location has been decided, the team returns to do the tech scout. The tech scout is to determine what challenges the location presents and what the technical requirement are for that location. So the tech scout is all about logistics at the location. While these two scouting trips are normally done separately, they are starting to be done at the same time, especially on a smaller project. As you scout the location, hopefully you’ll have your key team members there: the director, production designer, gaffer, key grip, and audio. The fewer people on the scout, the more responsibility and the more information you’ll have to relay to the rest of your team so that they can fully support the demands of the location and production. Regardless of the type of scout I am doing, I’ll bring along my two essential scouting tools: my iPhone and my light meter. ** See the rest of the transcript: http://indiecinemaacademy.com/academy...