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Put two portraits side by side. Go on. Do it right now.On the left, Queen Mary — taken sometime in the 1930s, at the height of her reign as consort. Ramrod spine. Chin lifted. Jaw set like it was carved from Portland stone. A brooch pinned high on the left shoulder. Triple strand of pearls falling against a structured gown. Hands clasped over a handbag on the left arm. A toque hat adding six inches of height, making her impossible to miss in any crowd.On the right, Queen Elizabeth II. Any official portrait from the 1950s onward. Pick one. Doesn't matter which.Same spine. Same chin. Same jaw — that broad, squared-off jawline that made both their faces look like they belonged on currency. Same brooch placement, high and left. Same pearls. Same handbag, same arm, same position. Same expression — not a frown, not a smile, but something in between that communicated one thing above all else: I am not going anywhere.Now here's the thing most people miss. That resemblance isn't coincidence. It isn't even genetics — not entirely. Elizabeth II didn't just happen to look like her grandmother. She was built to. Piece by piece. Year by year. By a woman who understood, better than almost anyone alive in the twentieth century, that a queen is not born. A queen is made.And Queen Mary made Elizabeth.