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Welcome to Crisis in Perception, where we examine the systems shaping our world — one case study at a time. This episode uses Alfred Hitchcock’s Vertigo (1958) as a systems-level case study to explore how desire can reorganize perception and manufacture identity. Rather than treating the film as a romance, thriller, or psychological portrait, this analysis focuses on how repetition, aesthetic control, and spectatorship stabilize belief without relying on misinformation or memory loss. Vertigo reveals a system where certainty is produced through recurrence and visual coherence. Identity is not discovered but assembled, refined, and enforced through reenactment. The film also implicates the audience, training viewers to want the transformation to succeed—even when recognition should destabilize it. This episode treats Vertigo as a diagnostic model for how power operates most effectively when it feels like preference rather than force. 🎬 Watch the Mini Explainer for a short visual introduction: 👉 • Vertigo Explained — How Desire Rewrites Pe... 🎧 Prefer audio? Listen on Spotify: 👉 https://open.spotify.com/episode/0oSw... ❤️ Support the project on Patreon: 👉 https://www.patreon.com/posts/vertigo... Fiction Disclaimer This episode discusses key plot outcomes from the referenced fictional work in order to analyze its underlying social, economic, and systemic themes. Author / Creator Support Line If these ideas resonate, consider watching the film yourself or borrowing it from your local library. Supporting creators and libraries helps keep critical inquiry accessible. Call to Action If you found this episode valuable, please like, share, and subscribe. Let us know in the comments if there are films, books, or systems you’d like us to explore next. Closing Line Thank you for supporting Crisis in Perception. Your support makes long-form, systems-level education possible. AI Use Disclosure This content was created using AI-assisted tools for research synthesis, structuring, and narration support. All analysis, framing, and editorial decisions are guided by human judgment as part of the Crisis in Perception project.