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The Fortune Teller is an operetta in three acts written by Victor Herbert, with a libretto by Harry B. Smith. After a brief tryout in Toronto, it premiered on Broadway on September 26, 1898 at Wallack's Theatre and ran for 40 performances. Star Alice Nielsen and many of the original company travelled to London where the piece opened at the Shaftesbury Theatre on April 9, 1901, running for 88 performances. It was revived in New York on November 4, 1929 at Jolson's 59th Street Theatre and ran for 16 performances. This was Herbert's sixth operetta, which he wrote for Nielsen and her new Alice Nielsen Opera Company. Nielsen, having earned widespread praise in The Serenade, requested and received not one but three roles in The Fortune Teller. The story is set in Hungary and involves Irma, an heiress from Budapest, who is studying for the ballet. Irma is in love with a young Hussar captain but is being forced to marry the silly Count Barezowski. When Musette, a gypsy fortune teller, arrives, she is mistaken for Irma; the case of mistaken identity fosters many complications. Songs include "Gypsy Love Song" ('Slumber on, my little gypsy sweetheart') and "Romany Life". ========================== Victor August Herbert (February 1, 1859 – May 26, 1924) was an American composer, cellist and conductor of English and Irish ancestry and German training. Although Herbert enjoyed important careers as a cello soloist and conductor, he is best known for composing many successful operettas that premiered on Broadway from the 1890s to World War I. He was also prominent among the Tin Pan Alley composers and was later a founder of the American Society of Composers, Authors, and Publishers (ASCAP). A prolific composer, Herbert produced two operas, a cantata, 43 operettas, incidental music to 10 plays, 31 compositions for orchestra, nine band compositions, nine cello compositions, five violin compositions with piano or orchestra, 22 piano compositions and numerous songs, choral compositions and orchestrations of works by other composers, among other music. In the early 1880s, Herbert began a career as a cellist in Vienna and Stuttgart, during which he began to compose orchestral music. Herbert and his opera singer wife, Therese Förster, moved to the U.S. in 1886 when both were engaged by the Metropolitan Opera. In the U.S., Herbert continued his performing career, while also teaching at the National Conservatory of Music, conducting and composing. His most notable instrumental compositions were his Cello Concerto No. 2 in E minor, Op. 30 (1894), which entered the standard repertoire,[1] and his Auditorium Festival March (1901). He conducted the Pittsburgh Symphony from 1898 to 1904 and then founded the Victor Herbert Orchestra, which he conducted throughout the rest of his life. Herbert began to compose operettas in 1894, producing several successes, including The Serenade (1897) and The Fortune Teller (1898). Some of the operettas that he wrote after the turn of the 20th century were even more successful: Babes in Toyland (1903), Mlle. Modiste (1905), The Red Mill (1906), Naughty Marietta (1910), Sweethearts (1913) and Eileen (1917). After World War I, with the change of popular musical tastes, Herbert began to compose musicals and contributed music to other composers' shows. While some of these were well-received, he never again achieved the level of success that he had enjoyed with his most popular operettas. ==================================== Please subscribe and share this music around the world! If you've enjoyed this music please leave a comment below also :) STEINWAY MODEL K 65/88 NOTE PIANOLA PLAYER PIANO PIANOLIST : ADAM RAMET