St. Louis Dance Obscurities: 1922-1928 (Berger, Rodemich, Silverman, Wylie, Trimp, etc.) скачать в хорошем качестве

St. Louis Dance Obscurities: 1922-1928 (Berger, Rodemich, Silverman, Wylie, Trimp, etc.)

St. Louis Dance Obscurities: 1922-1928 (Berger, Rodemich, Silverman, Wylie, Trimp, etc.) 1. Trot Along - Herbert Berger’s St. Louis Club Orchestra (Okeh, 1922) [0:00] 2. The Fuzzy Wuzzy Bird - Herbert Berger’s St. Louis Club Orchestra (Okeh, 1922) [2:56] 3. Eleanor - Herbert Berger’s St. Louis Club Orchestra (Okeh, 1922) [6:12] 4. Who Did You Fool After All?  - Herbert Berger’s St. Louis Club Orchestra (Okeh, 1922) [9:10] 5. Mean Blues - David H. Silverman and His Orchestra (Victor, 1923) [12:19] 6. Blue Grass Blues - David H. Silverman and His Orchestra (Victor, 1923) [15:43] 7. Mama Goes Where Papa Goes - David H. Silverman and His Orchestra (Victor, 1923) [18:58] 8. Spring Has Come - Arthur Nealy acc. Orchestra (Okeh Personal, 1925) [22:13] 9. What a Man - Trimp’s Ambassador Bellhops (Okeh Personal, 1926) [24:35] 10. Reaching For the Moon - Trimp’s Ambassador Bellhops (Okeh Personal, 1926) [27:50] 11. Whose Who Are You?  - Herbert Berger’s Coronado Hotel Orchestra (Victor, 1925) 30:56] 12. Hot Notes - Gene Rodemich’s Orchestra (Brunswick, 1926) [33:57] 13. I’m Lonely Without You - Gene Rodemich’s Orchestra (Brunswick, 1926) [36:54] 14. A Love Tale of Alsace Lorraine - Allister Wylie and His Coronado Hotel Orchestra (Brunswick, 1928) [39:51] 15. Some Nights When You’re Lonely -  Allister Wylie and His Coronado Hotel Orchestra (Brunswick, 1928) [42:46] Transferred with 3.0ML stylus in Audiotechnica VMN70SP cartridge via Audiotechnica AT-LP120 Turntable. Discs and Discographical Information and Research from Brian Rust’s Jazz Records, Brian Rust’s The American Dance Band Discography 1917-1942, and Colin Hancock. All recordings and transfers from the Colin Hancock Collection. St. Louis contributed some of the finest jazz to the 20s. From Charlie Creath to the Arcadia Peacocks to the Mound City Blue Blowers, there were many important and influential bands that recorded from that city, as well as many lesser known ones. This set of 15 recordings examines some of the more obscure St. Louis dance bands and dance musicians to record in the jazz age. Highlights include Herbert Berger (featuring Pee Wee Russell on his first clarinet break on “The Fuzzy Wuzzy Bird” and first saxophone break on “Who Did You Fool After All?”), The Missouri Cotton Pickers (under the Ambassador Theatre’s name), Gene Rodemich’s electrical light ray sides, and more! To be sure, many of these artists were very popular in their day, but somewhere along the way their stories began to be overlooked. I hope this little playlist brings those artists and bands the attention they deserve!