New Orleans Modernism: 1927-1929 (feat: Bonano, Brunies, Wiggs, Arodin, Parenti, Hazel, etc.) скачать в хорошем качестве

New Orleans Modernism: 1927-1929 (feat: Bonano, Brunies, Wiggs, Arodin, Parenti, Hazel, etc.)

New Orleans Modernism (1927-1929) 1. Ain’t Love Grand - Johnny Hyman’s Bayou Stompers (Victor, 10 Mar. 1927) [0:00] 2. Alligator Blues - Johnny Hyman’s Bayou Stompers (Victor, 10 Mar. 1927) [3:14] 3. In the Dungeon - Tony Parenti’s New Orleanians (Columbia, 27 Apr. 1928) [6:11] 4. When You and I Were Pals - Tony Parenti’s New Orleanians (Columbia, 27 Apr. 1928) [9:38] 5. When I’m Blue - Halfway House Orchestra (Columbia, 24 Oct. 1927) [13:14] 6. Love Dreams - Abbie Brunies and His Halfway House Orchestra (Columbia, 26 Apr. 1928) [15:58] 7. The New Twister - New Orleans Owls (Columbia, 26 Oct. 1927) [18:54] 8. Panama - Johnnie Miller’s New Orleans Frolickers (Columbia 25 Apr. 1928) [21:57] 9. Sizzlin’ the Blues - Monk Hazel and His Beinville Roof Orchestra (Brunswick, Oct. 1928) [25:13] 10. High Society - Monk Hazel and His Beinville Roof Orchestra (Brunswick, Oct. 1928) [28:01] 11. Ideas - Monk Hazel and His Beinville Roof Orchestra (Brunswick, Oct. 1928) [31:02] 12. Get Wit It - Monk Hazel and His Beinville Roof Orchestra (Brunswick, Oct. 1928) [33:34] Transferred with 3.0ML stylus in Audiotechnica VMN70SP cartridge via Audiotechnica AT-LP120 Turntable. Discs and Discographical Information and Research from Brian Rust’s Jazz Records, Brian Rust’s The American Dance Band Discography 1917-1942, and Colin Hancock. All recordings and transfers from the Colin Hancock Collection and Andrew J. Sammut Collection. Thanks to Andrew for his contributions to this video. Sometime in the mid 1920s, the modernist or “cool” bug that had been in vogue in New York hit New Orleans. Spearheaded by musicians like Bix Beiderbecke, Red Nichols, Artie Schutt, and George Gershwin, the music was jazz at its harmonic cutting edge, and its whole tone scales, false fingerings, weird measure counts, and weirder melodies were a far cry from jazz’s roots. This set of 12 records looks at the a brief moment when New Orleans jazz musicians of the 20s embraced the sounds of the Five Pennies and Frankie Trumbauer’s Orchestra, with horn players like Sharkey Bonano, Johnny Wings, and Abbie Brunies doing their best to sound like Red and Bix. However, despite their attempts they could never really leave their New Orleans roots, and many of the old Crescent City sounds and classics like “Bucket’s Got a Hole in it” (here as “In the Dungeon”), “Panama,” and “High Society” make their way into these recordings.