Dave Smith Evolver DESKTOP Workaround For Almost Everything* скачать в хорошем качестве

Dave Smith Evolver DESKTOP Workaround For Almost Everything*

This is the workaround for almost everything that requires a workaround or allows for a workaround*. Obviously for some things related to the evolver there are no workarounds. Also, this only works on the desktop This is a demonstration on how you can take 2 parameters from different pages/rows on the evolver and place them on the same page/row. Using a basic dub chord type sound, i show how on the surface it would appear that you cant adjust filter or filter envelope or delay settings at the same time because they are on separate pages. I also showed 2 different ways of getting a modulation/chorus type effect. Start with a delay time in the 59-75ish range then use either envelope 3 or an lfo to modulate delay time. Wanted to throw this in since my last video was on using the delays to create pitch shifter or pitch shifted delay effects. You have to "sacrifice" one of your sequencer tracks. Think of it as a "control track." Here i have it set to a 1 step sequence with step 1 having a value of 100 and step 2 being a reset. The length really doesn't matter it could be 16 steps if you want but a 1 step is just faster to set up/demonstrate from scratch. What is important is the values, not the length. Then you go to Mod slots 2 and 3, which are next to each other on the same row. You set both of them to have your "control track" as the source. Here it was sequencer 4. Then you can route them to whatever 2 parameters you want to be on the same page. In this case i wanted one of my delay amounts and filter envelope amount, envelope 1 level. You set you value to 100 so that you can access the full range of whatever parameters you want to control. Even though this is an extremely useful as well as flexible workaround to the limitations of the matrix editor , its not perfect. It has limitations of its own. Especially with slower tempos like this patch. When modulating something like the filter it can be steppy, however using it to control filter envelope works great. If you were to have a faster bpm or clock divide setting, you can avoid some of the steppy-ness which can occur. I wanted to show also that there are some not so immediately apparent applications. For example filter split. The first time i put my finger to the screen is to point out filter split. (The 2nd time is to point out skippy encoders and values jumping.) As you increase filter split it creates an offset with the two filters, raising the filter cutoff of the left filter while decreasing the cutoff of the right filter. As you can see/hear in this video, it works even when using a mono output. Normally it only works one way. Meaning when adjusting filter split directly you can only ever raise the left and lower the right. It goes from 0 to 100. I continue to spin it when i get to 0 to show you cant go below 0 directly. However, your mod matrix amounts go from -100 to +100 so you can actually lower the left filter and raise the right filter at the same time using this technique. (Yes you can modulate or adjust the 2 filters independently and individually using f1f or f2f destinations with either envelope, lfo, sequencer, etc. but filter split parameter adjusts both at the same time in opposite directions.) There are other ways you can apply this technique as well. You don't have to just use it for filter and delay stuff. I will make a follow up video at some point showing other applications of this same idea/technique. I could easily stretch this same idea out into multiple videos This is probably one of the best tips ive shared on my channel so far.