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Trying to get back into making videos. This is demonstrating a basic but glitchy pitch shifter or pitch shifted delay you can make with the dave smith evolver using the delay lines and an LFO. I also wanted to show a hack i discovered that i had never seen anyone mention before. That is one of the goals of these videos. To share information, tips, tricks, workarounds, etc that you can not find anywhere else. Here are my basic settings : Delay time of 120. Sawtooth Lfo with frequency of 50 and amount of 20 routed to delay time. Sawtooth Lfo produces pitch shift upwards.This is my starting point and i find it generally works well for single sounds or chords. Not sure exactly what musical interval this but it sounds good to me as a starting point. Reverse Sawtooth produces a pitch shift downwards. However, whenever you increase the lfo frequency up to around 90ish, you can get it to switch from a downwards pitch shift to a shift up? Kinda confusing but also cool. Lots to explore here. Triangle kinda gives you both an upwards and a downwards shift. It can be smoother and less glitchy. But some degree of glitchy-ness is always present. I have gotten some cool results using triangle wave with faster lfo speeds. *THE CLICKS* This is one of the downsides or limitations of this technique. Because the delay times are not interpolated or smoothly blended you will get clicks, hence "glitchy." I have found that its possible to reduce the clicks sometimes. By activating the hi-pass filter i have been able to reduce some of the clicks before. Not removing them entirely, but definitely reducing them. Can not guarantee that it will work. I tried it here and it didnt seem to be working but i would still recommend trying it sometimes. Wet Only with this one weird trick This is the part i am most proud of and my real contribution to the world with regards to this topic. Because clearly i am not the first person to discover you can get a pitch shifter effect with the dave smith evolver. Im pretty sure even some of the factory presets utilize this to one degree or another. The Dave Smith Evovler has a stereo signal path. Oscillators 1 and 3 are routed to the left output, and oscillators 2 and 4 are routed to the right output. However, the delays are mono. They do not ping-pong from left to right. In this patch i was only using oscillator 3 and there was a reason for that. When i recorded this video before and then deleted it, which i do all the time unfortunately, there was a part where i unplugged the audio cable from the left output and switched it to the right output. I planned to do that again in this video but i had forgot to switch it back before and didnt notice until i was already in the process of re-recording. Its really not necessary to switch the audio cables in the outputs, you can achieve the same thing just by switching your output pan settings. But it likely would look better for the sake of creating a video and "with this one weird trick...." Basically you can isolate JUST the delay signal. If you have your output pan settings set as stereo 1 or reverse stereo 3, oscillator 3 which im using here will only be on one side. The other side will just be the delay signal. I demonstrated this towards the end of the video. There was a little bit of clipping because i didnt account for the fact that your output pan settings actually affect gain. The challenge for me throughout my pitch shifter experiments has been figuring out how to actually incorporate it into patches/sequences so it sounds good or blends well with the original sound. Sure in a basic demo like this it might sound cool but when you apply it to a sequence or say a chord progression it might not sound good. So the idea here is to isolate just the wet signal and then process that further with other effects, filtering, or even just sample it and then incorporate it.