PERUGINO - 500 years after his death, PERUGINO arrives in theaters on 3rd, 4th and 5 th of April 23 скачать в хорошем качестве

PERUGINO - 500 years after his death, PERUGINO arrives in theaters on 3rd, 4th and 5 th of April 23

#renaissance #perugino #nexodigital 500 years after his death, PERUGINO arrives in theaters on 3, 4, 5 April. IMMORTAL RENAISSANCE, produced by Ballandi and directed by Giovanni Piscaglia, director of Van Gogh. Between the wheat and the sky and Napoleon. In the name of art, on a subject by Piscaglia himself with Marco Pisoni and Filippo Nicosia (cinema list on nexodigital.it). The documentary, with the extraordinary participation of Marco Bocci, tells the life and work of Perugino starting from the link with his land, Umbria, and in particular with the bright landscapes that open up on the shores of Lake Trasimeno that Perugino often he immortalized in the background of his paintings. From Castel della Pieve, a village immersed in those landscapes, Pietro Vannucci, who would only later take the name of Perugino, begin his artistic journey that will lead him to establish himself in the creative capitals of the time, Rome and Florence, in contact with masters like Verrocchio, and colleagues like Botticelli and Leonardo da Vinci. And yet, although Perugino was a central artist of the Renaissance, the most famous and in demand in the twenty years between 1480 and 1500, his fame has gradually faded with the passing of the centuries up to the present day faded and devoid of his real value. Why did this happen? The shadow that the artists of the new style cast on him, and in particular Raphael, had a great impact. In fact, Perugino is often cited and known only as the master of the Urbino painter. But beyond the merits of Raphael, a large part of Perugino's critical misfortune is also due to Giorgio Vasari, the biographer of the artists who in his "Lives" relegates Perugino to a second-level figure and describes him in derogatory tones, reporting anecdotes and negative character traits. The documentary will also closely examine the setting up of the two rooms entirely dedicated to the artist at the National Gallery of Umbria, narrating, among other things, the restoration of some of his works. The project was supported by: Ministry of Culture, Umbria Region, Arpa Umbria. Great Art at the Cinema is an original and exclusive project by Nexo Digital. For 2023, Grande Arte al Cinema is distributed exclusively for Italy by Nexo Digital with the media partners Radio Capital, Sky Arte, MYmovies.it and in collaboration with Abbonamento Musei. Support free press! Please subscribe to my Channel! Likes & Comments awaited! "The Italian Way" Youtube Channel (My Camera .....my Paintbrush) is an iconic video magazine created by Simona Cochi, an Italian journalist and pr based in Milan. Simona unveils the exclusive features of the most relevant events about Art, Lifestyle, Design, Fashion, and more. Art interviews are one of the keys to being seduced by "The Italian Way" project. The creative gesture of "direct capture" (the camera like a brush) blends different and transversal elements and draws on the visual heritage, the digital, and the sound in a field with still unexplored possibilities but which has the characteristics of a 21st-century Surrealism. This editorial project has been conceived on Simona's return after a year and a half of work and research in different European capital cities and iconic outposts. Simona Cochi can claim international working experiences and an academic track record. 2017 - Simona Cochi starts her digital video magazine to adapt communication and journalism techniques to the new challenge of the 2.0 era. In 2018, during her experience as a video blogger in Vienna's museums, her definitive inspiration for surrealism was ignited through the work on the Man Ray's show at the Kunstforum. Further creativity and motivation have been enhanced thanks to the research on Sigmund Freud, the other eminent Austrian figure with significant traces of his life and works in Vienna. The video journey started with "The Austrian Way" inside the magnificent art shows in the capital city: Monet, Picasso, Gustav Klimt, Keith Hearing, Florentina Pakosta, and more. The digital producer's aim is to "paint" the path of the art exhibitions with her camera, revealing an unprecedented vision, and delivering new interpretative nuances of daily reality. The images and comments of the Italian journalist are expressed to describe the emotions of art but also to portray the magnificent outposts of culture. Simona Cochi's footage is often accompanied by iconic interviews with the event's protagonist. The beauty of a work resides in its visionary strength, in its celebratory capacity, in the alienating effect it arouses and this is what the spontaneity of the author often manages to convey. The creative gesture of "direct capture" (the camera like a brush) blends different and transversal elements and draws on the visual heritage, the digital, the sound in a field with still unexplored possibilities but which has the characteristics of a 21st-century Surrealism.