The Best Times To Write A Catchy Rap Hook (In Under 8 Minutes) скачать в хорошем качестве

The Best Times To Write A Catchy Rap Hook (In Under 8 Minutes)

How To Write A Rap On Any Topic In Under 20 Mins. (FREE VIDEO COURSE): https://howtowritearap.com --- TIMESTAMPS: 0:00 Overview 0:40 Free Rap Video Course 1:01 #3 Identify The Producer’s Goal 1:47 Tension and Release 2:32 Are Instruments Added or Subtracted?  2:40 Added Instruments: Strings, Horns, etc. 3:12 Subtracted Instruments: “The Drop”  3:42 #2 The First 30 Seconds You Hear It 4:07 Modern Songs: Chorus-First  4:38 “Write Like A Listener” 5:35 #1 After Verse 1 is Fully Written / Recorded  6:16 Buy Yourself Time 7:07 COMMENT Below --- FULL ARTICLE ON THIS TOPIC: https://rapgamenow.com/write-a-catchy... 3. Identify Where The Producer “Wants” You To Place The Chorus The first excellent time to write a catchy rap hook is by identifying where the producer “wants” you to place the chorus. When I say, “want” I am referring to the place that the producer has pre-programmed in the inherent song structure of the beat that most artists will LIKELY place the chorus. Now, in a moment I’m going to show you exactly how producers for major artists like Roddy Ricch and Jack Harlow basically musically “TOLD THE RAPPERS” where to put their hit choruses for songs like “The Box” and “What’s Poppin’”… But for now, understand that rules are meant to be learned in order to be broken, so don’t feel REQUIRED to place the chorus in the place I’m about to show you, so if you want to know some of the ways to identify where the chorus usually goes, based on programming… “Tension and Release” …First look to the part of the beat where it feels like some sort of “tension” is released after a built up of energy. To flesh this out, part of the allure of classic song structure both in pop music and rap more specifically is the build up of “tension-and-release” that comes from the accumulation of energy in the verse to build “tension” and the RELEASE that comes from a catchy hook. Think about your favorite catchy songs that get you hype and you want to sing along too… I would almost guarantee that one of the most exciting parts of that song is the feeling you have when you want to BELT OUT the chorus after rapping along to the verse. That feeling to “belt out” the chorus is the feeling of “release” that you feel after the build up of energy in the verse. Are Instruments Added or Subtracted? Additionally, be sure to listen in for a notable ADDITION or SUBTRACTION of instruments as an indication of where the producer probably EXPECTS you to put a chorus. Added Instruments: Strings, Horns, etc. For added instruments to the beat, this usually this comes in the form of the addition of instruments like strings or horns to beat to add to that EPIC RELEASE OF TENSION feeling. A really good example is in “The Box” by Roddy Ricch. If you listen to the “I just hit a lick with the box” section of the hook, epic strings become introduced to the beat right at that section. This was likely an indication the producer wanted the artist to add a chorus there. Subtracted Instruments: “The Drop” On the other hand, it’s also common for an instrument to be SUBTRACTED from the beat in the form of a “drop” for the indication of where the chorus should go. Take “What’s Poppin’” by Jack Harlow. If you listen closely, right when he says “What’s poppin’? Brand new whip just hopped in”… You can clearly identify the SUBTRACTION of the 808 drum at “What’s poppin’” which helps accentuate and ironically RELEASE tension from the rapid-fire flow of the verse… To help build Jack Harlow’s ability to write a catchy rap chorus. FULL ARTICLE CONTINUED: https://rapgamenow.com/write-a-catchy...