F. W. Marpurg Von Gott will ich nicht lassen скачать в хорошем качестве

F. W. Marpurg Von Gott will ich nicht lassen

Friedrich Wilhelm Marpurg (21 November 1718 – 22 May 1795) was a German music critic, music theorist and composer. Marpurg was friendly and active with many figures of the Enlightenment of the 18th century. #willemvantwillertbaroqueorganmusic #willemvantwillertleens #willemvantwillertmostviewed Little is known of Marpurg's early life. According to various sources, he studied "philosophy" and music. It is clear that he enjoyed a strong education and was friendly with various leading figures of the Enlightenment, including Winckelmann and Lessing. In 1746, he travelled to Paris as the secretary for a General named either Rothenberg or Bodenberg. There, he became acquainted with intellectuals including the writer and philosopher Voltaire, the mathematician d'Alembert and the composer Jean-Philippe Rameau.After 1746, he returned to Berlin where he was more or less independent. Marpurg's offer to write exclusively for Breitkopf & Härtel was declined by the firm in 1757. In 1760, he received an appointment to the Royal Prussian Lotteries, whose director he became in 1763, receiving the title of War Councillor. His son, Johann Friedrich Marpurg, who later became a celebrated violinist, was born in 1766.COMPOSITONS of MARPURGMarpurg published the bulk of his writings on music between 1750 and 1763. After he had attained his lottery position in 1763, he penned two works on this topic but continued to write on wider areas of music.One of the first (and most influential) works of Marpurg was his tract on the Fugue (1753) which is considered one of the oldest sources for the performance practice of J.S. Bach's Art of the Fugue. Marpurg and his rivals Kirnberger and Schulz made up a distinct "Berlin School" of music criticism and theory. CHECK https://en.wikipedia.org/wiki/Friedri... #willemvantwillert #promotionorganprojects ORGAN HISTORY The organ at Leens was built in 1733-4 by Albertus Anthoni Hinsz (1704-1785). Albertus Antoni Hinsz (1704-1785) is a Dutch organ builder of German descent. Hinsz probably learned his skills from Otto Dietrich Richborn, who in 1721 manufactured an organ in Hamburg that, in terms of disposition, has similarities with the organ at Leens. Hinsz's work is characterized by stops as the Mixture, which he later (not in Leens) often produced with a third in the composition. Hinsz had established his reputation with the rebuild and enlargement of the organ in the Martinikerk (St. Martin’s Church) at Groningen in1729, at the request of the widow of Frans Caspar Schnitger (three years later he married her). Schnitger had been commissioned to rebuild the organ of the Martinikerk in 1728 but had died shortly before the work was to have begun. Hinsz undertook the work for f 3.400,–. The instrument was built with 27 stops, divided among Hoofdwerk, Rugwerk and independent Pedal. The case design and details were borrowed from the organ of the Michaëlskerk (St. Michael’s Church) at Zwolle. This design was repeated a number of times by Hinsz: in Almelo, Midwolda, Harlingen, Bolsward and Uithuizermeeden. Of all these instruments, that at Leens is the most brilliant and the closest in sound to the Schnitger tradition. The carvings and statues of the richly decorated case were made by Theodorus van der Haven and Caspar Struiwig. The organ was renovated in 1843-1844 by Geert Pieters Dik, in 1867 repaired by Petrus van Oeckelen (after the building of a new tower for the church), and in 1922 restored by Jan Doornbos. On each of these occasions, one or more stops were replaced. The organ, which had been cased up during the restoration of the church in 1948-52, had endured so much that a complete restoration was required. In 1963-7 Van Vulpen restored the organ and reïnstated the original disposition. Over the years there were some corrections to this restoration, such as lowering the wind pressure which is now 68 mm. In 1981 there was a coupler with a couple of the Pedal to Hoofdwerk. In 2010, the (probably) applied in 1844 proportionally floating tuning was changed to a Neidhardt II temperature. In 2020, the Dutch organ maker REIL gave the organ major maintenance (in fact a restoration). The carvings and statues in the facade have been restored. The intonation has been checked and corrected where necessary. The bellows of the organ have been reconstructed. Since 1968 concerts are given on this organ. Check, https://nl.wikipedia.org/wiki/Albertu... https://de.wikipedia.org/wiki/Albertu... https://www.hinszorgelleens.nl/engels... CREDITS Willem van Twillert plays, Friedrich Wilhelm Marpurg (1718-1795) Vonn Gott will ich nicht lassen [From God Shall Naught Divide Me] Audio recording: Marien Stouten Video: Studio Logtenberg, Assen Production: #promotionorganprojects https://nl.wikipedia.org/wiki/Willem_... https://de.wikipedia.org/wiki/Willem_...