Delbos, Claire (1939): Paraphrase sur le jugement dernier pour orgue — Tatiana Pernetová скачать в хорошем качестве

Delbos, Claire (1939): Paraphrase sur le jugement dernier pour orgue — Tatiana Pernetová

Composer: Louise-Justine "Claire" Delbos-Messiaen (2 November 1906 – 22 April 1959) Organist: Tatiana Pernetová (born 1997) Organ: Bratří Paštiků (1909), Cathedral of Saint Peter and Saint Paul, Brno, South Moravia, Czech Republic Copyright 1949 by Henry Lemoine et Cᶦᵉ, Éditeurs, 17 rue Jean-Baptiste Pigalle 75009 Paris IX., France Tous droits d'exécution, de reproduction et d'arrangements réservés pour tous pays. Paraphrase (for the Feast of All Saints, the Day of the Dead, and the Sundays the Twenty-Fourth after Pentecost and the First of Advent); or Paraphrase on the Last Judgement [for //] Organ A trait au jugement dernier. Quatre parties enchaînées. With regard to the last judgement. In four connected parts. 00:00 - i. La résurrection des morts (The Resurrection of the Dead). Modéré Ébranlement, sonnerie de trompette, appels de la rapture à la résurrection; puis les morts se levènt (thème ascendant) et vont au devant du juste Juge (le même thème descendant). Angoisse universelle – Clameurs : “Pardonnez, Ô Christ, à Vos serviteurs, pour qui aux tribunal de la clémence du Père – Marie notre patronne, prie.” (Hymne de la Toussaint) Tremours, trumpets resounding, calls from the transformation to the resurrection; then the dead are raised (ascending theme) and go head before the righteous Judge (the same descending theme). Universal anguish - Clamours: "Forgive, O Christ, Your servants, for whom in the hosts of the mercy of the Father - Mary, our patroness, prays." (Hymn of All Saints) 04:01 - ii. Marie, toute puissance suppliante (Mary, intercessor for all causes). Très lent Phrase tendre et obstinée. A tender and dependent phrase. 05:43 - iii. Foi en la médiation de Marie (Faith in the Mediation of Mary). Très modéré Bien court choral qui reprend la dernière phrase de l’hymne. Brief chorale that takes up the last strophe of the hymn. 06:06 - iv. Cantique à l'Agneau (Canticle to the Lamb). Modéré 𝘢𝘥 𝘭𝘪𝘣. - Vif Deux thèmes essentiels : Sanctus de la Messe des Anges (Cantique des Anges) et psaume “Misericordias Domini in æternum cantabo” (cantique des hommes). Two essential themes: Sanctus of the Mass of the Angels (Song of Angels) and psalm [88] "Misericordias Domini in æternum cantabo" (song of men). Programme notes written by the composer. The full title of this work, as per the title page, is as follows: « Paraphrase (pour la Fête de tous les Saints, le jour des Morts, les Dimanches 24º après la Pentecôte et 1ᵉʳ d'Avent) [pour] orgue ». It is however instead referred to briefly as the « Paraphrase sur le jugement dernier » or simply as « Paraphrase » (whether in French or English). It was published in 1946, a full seven years following its composition, by Henry Lemoine in Paris. Observing the differences between the œuvre (especially organistically) of Claire Delbos (affectionately 'Mi') and her husband and fellow composer Olivier Messiaen, her 'Zouvier' (who devised the registration, sans doubt for the organ of the Church of the Holy Trinity, and edited, perhaps even arranged the work), is quite astonishing. Though Delbos was not an organist but a violinist by musicianship, its textural and harmonic densities are further amplified by the cavernous acoustics of its instrumental habitat - one of the paramount churches in the Czech Republic - which assuredly expounds upon the physical and emotional character of this rare and overlooked piece and its interpretation. Both the works of Delbos and Messiaen overflow with the spiritual and liturgical influence of their shared devotion to the Roman Catholic faith. It was premièred in a recital delivered the composer's husband on 14 March 1939 at the Church of the Holy Trinity in Paris, where he held the position of titular organist of the great organ. This recital was part of a concert series sponsored by the La Sérénade musical society and Darius Milhaud; its programme not only unveiled Delbos' apocalyptic work but demonstrated an eclectic repertory: selections spanned the work of Nicolas de Grigny, Francis Poulenc, Henri Sauguet, and was furthermore the world première of the complete version of Érik Satie's Messe des pauvres (Mass of the Paupers). The Paraphrase received sharply polarising reviews, with one of its most ardent defenders being Jean Langlais. For more information, one is advised to consult the 2020 doctoral dissertation of Nicholas James Capozzoli. Source of audio:    • Claire Delbos - Paraphrase pour orgue   Other works by Claire Delbos:    • Easy Organ Pieces No. 22 || Claire Delbos ...      • Delbos, Claire (1935): Deux pièces pour or...      • Claire Delbos-Messiaen - L'âme en bourgeon...      • Delbos, Claire (1933): Primevère, cinq mél...   Selon la description de cette chaîne, je ne possède rien dans cette vidéo. La musique et les performances ont été téléchargées à des fins de divulgation uniquement. As per the description of this channel, I do not own anything within this video. The music and performances have been uploaded for divulgation purposes only.