I Got You Bass Cover скачать в хорошем качестве

I Got You Bass Cover

Happy Birthday to Nigel Griggs who was born of this date in 1949! “I Got You” by Split Enz off of their album, ”True Colors”, which came out in 1980 and featured Nigel Griggs on bass. To be honest, I don’t know much about Split Enz or (as I learned while looking up info for this description) their morph into the band, Crowded House. This is just one of those songs that I always enjoy hearing whenever it comes on the radio. I do know that there are a few people out there who are still avid fans of both bands. I was chatting with my young friend Ellie Kim’s, Mother the other day. Julie told me that Ellie retired from her role(s) in “School of Rock - The Musical on Broadway” and had joined a band the very next day. The band is called “One95” and features a few School of Rock alumni. Julie was telling me how Ellie was learning a bunch of songs for the band and really focusing on note for note perfection and that got me thinking. I rarely give unsolicited advice, but I suggested that she focus on learning the core of the song and then, instead of getting mired down with the minor details, that she pick and choose the nuances she wanted to add. And to choose the nuances she was the most comfortable playing; the ones she thought sounded and “felt” the best to her and to repeat those if necessary. I did add the caveat that Rush bass lines must be learned and played verbatim. Here are a few links if you’re interested -   / one95music   https://www.one95music.com   / one95music   Now, if you’ll excuse me while I contradict myself. While you’ll rarely hear me refer to a song as “simple” or “easy”, this song is pretty straight forward with regard to both execution and arrangement. The reason I never use those terms is because they are entirely relative. What one person might find easy, I may struggle with and visa versa. That being said, I think this song is a good example of what I’ve always tried to accomplish with my videos which is, to translate as many small details as I can into them. In this case, the line/fill that divides each chorus in half is slightly different. It’s probably 8+ variations (excluding the one that garnered the eye-roll near the end). I guess my point is that, for what I am doing, I feel that every note and nuance matters. But, for live situations, I would not be nearly as big a note-nazi. I did this video some time ago and am playing the 70-something Guild B-302A (the "A" is for Ash). The bass was originally a fretted bass that had been converted into a fretless when I bought it. I then had the frets put back into it. I'm am using the bridge p/u only and, like I did with my Ric, recently had the neck p/u removed and a single p/u pick-guard made and installed. It also has a Babicz 3-Point bridge installed.