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Inspired by Islamic architecture and human vulnerability, Toronto-based ceramic artist Habiba El-Sayed uses a variety of materials, performance and temporal techniques to illustrate her concepts. Her work focuses on connecting to, exploring and interpreting aspects of her identity, particularly as a Muslim woman living in a post-9/11 world. El-Sayed’s work was on display at the Canadian Clay & Glass Gallery as part of the Disruption exhibition, February 5 to May 15, 2022. Disruption investigates how four women of colour use their practices to disrupt a predominantly white, male, Eurocentric art narrative. This exhibition is part of the larger project to deconstruct society's racist and sexist structural underpinnings with the aim of building a new foundation of multiplicity. Natalia Arbelaez, Magdolene Dykstra, Habiba El-Sayed, and Heidi McKenzie work to fashion a more egalitarian canon through artistic practices that delve into diverse histories. Arbelaez and McKenzie draw our attention to narratives that have long been overlooked. El-Sayed and Dykstra use abstraction to subvert the spectator’s gaze, while simultaneously insisting upon their visibility.