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Highway 80 is a song about bearing witness without judgment. It comes from time spent documenting places shaped by conflict, where explanation felt dishonest and interpretation felt like interference. I was there to observe, not to resolve. Much of my work was done with a Pentax K1000, a camera my parents gave me when it was not easy for them to afford. It became my constant companion to this day, not as a symbol, but as a tool that asked for little attention and care. That discipline shaped how I learned to look. This song sits with detachment as a theme, not from indifference, but from respect. Some roads do not follow you home. You can only stand there, frame what is in front of you, and let it be what it is. If this piece feels quiet, that is intentional. Silence was part of the landscape.