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Presented in partnership with Washington University in St. Louis, this free, one-day symposium used CAM’s exhibitions on the work of Joe Goode and Jesse Howard as a point of departure. Joe Goode and Jesse Howard: Thy Kingdom Come offer unique views of the Midwest, providing a framework for scholars to present research on topics such as the lived Midwestern experience, materiality and the monochrome, and self-taught American aesthetics. Moderated by CAM’s Chief Curator Jeffrey Uslip and Ila Sheren, Assistant Professor of Art History and Archaeology at Washington University in St. Louis. Marci Kwon is a PhD candidate at the Institute of Fine Arts, New York University. She is currently working on a dissertation titled “Vernacular Modernism: Joseph Cornell and the Culture of Populism,” which has been supported by Getty Research Institute, the ACLS/Luce Dissertation Fellowship in American Art, the Modernist Studies Association, and the Mellon Foundation. Previously, she served as a Curatorial Research Assistant at the Metropolitan Museum of Art, where she worked on exhibitions of abstract expressionism, Matisse, and the Stein Collection. Kwon holds a Joan Tisch Teaching Fellowship at the Whitney Museum of American Art and will be a sponsored fellow at the Cornell School of Theory and Criticism this summer. Her writing has been published by the University of California, Irvine; Yale University Press; Modern Art Asia; and Whitewall Magazine.